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Emma Rucastle
It seems that I've "lived with" Les Miserables for most of my life. I grew up listening to the original cast recording and so, in many ways, they became my gold standard. Colm Wilkinson was the perfect Valjean; Michael Ball an incredible Marius; Roger Allam a clearly tortured Javert (singing some of my very favourite songs in the show); and Frances Ruffelle a beautfully powerful Eponine. There were no real low points to this recording, as far as I was concerned; the students (my favourite ensemble in the show) were compelling in their passion and even Cosette and the Thernadiers (in general my least favourite characters) were lively and engaging.
The tenth anniversary concert, however, somehow managed to exceed this original cast. Dubbed by critics "the dream team", I couldn't agree more. Again, Wilkinson and Ball shone, and, much as I had rated Ruffelle and Allam, Lea Salonga and Philip Quast were even more perfect for the roles of Eponine and Javert. Ruthie Henshall as Fantine gave a mesmerising performance and Jenny Galloway, much to my surprise, made the role of Mrs Thernadier truly entertaining.I thought good use was made of setting at times, especially when Valjean first leaves the chain gang, and again in the funeral sequence, though at times it looked too much like a studio set (the barricade) and the sense of scale was lost. I was also disappointed that some of my favourite pieces - especially One Day More - struggled to convert well to film: quickly cutting from character to character as they sing their lines, in no way achieves the same power as witnessing them all on stage simultaneously singing their stories.
So, there it is. I will certainly buy the DVD of the new film and will probably watch it many times, but the version that will remain with me the most strongly will be the 10th anniversary concert. (Well, until there's an even dreamier team gathered for a 30th, 40th, 50th anniversary...)Videos