News on your favorite shows, specials & more!

EDINBURGH 2011: BWW Reviews: DORIS DAY CAN F**K OFF, Zoo Southside, Aug 12 2011

By: Aug. 16, 2011
Enter Your Email to Unlock This Article

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe.




Existing user? Just click login.

For six weeks Greg McLaren sought to communicate with strangers in a number of different UK cities, but only through song. Hiding a voice recorder on him to capture the interactions, he then incorporates technology in his show to create something lyrical, rhythmic and rather interesting out of these seemingly mundane interactions, with a traffic warden for example.

The result is Doris Day Can F**k Off. I'll be honest - you shouldn't go in expecting it to be a purely humorous adventure in which the world joins in with a man trying to create a real-time musical. At times experiencing his interactions with people who often weren't willing to engage was a little uncomfortable (and it's for this reason why this show won't be for everybody). But part of the point of the piece is to highlight people's knee-jerk reactions to someone approaching them and doing something a bit 'weird', and it's interesting to see who engages with McLaren and who refuses.

A thought-provoking piece on communication, language and the habits we've formed in regards to both. Just go into it with the right expectations.



Reader Reviews

To post a comment, you must register and login.






Videos