Edinburgh Festival

Triple Fringe First and Olivier-winning Fishamble, in association with Fringe First-winning Sunday’s Child, return to Summerhall with the 2019 hit show Mustard by Eva O’Connor. A darkly comic play about heartbreak, madness, and how condiments are the ultimate coping mechanism. When the man of her dreams, a professional cyclist, leaves E, she plummets into a black hole of heartbreak at the speed of a doped-up team on the Tour de France.

The story of Emily: brassy, funny and forthright. Her journey, navigating life and men, takes her and the audience through obstacles, detours and dead ends; all met with dry, dark wit – at least on the surface. The Emily we are allowed to see isn’t always the Emily inside, and her acerbic outlook hides a deeper tragedy. Starring Rachel Pryde. This new writing was directed by Nathan Kean, the show was co-written by Nathan Kean and Megan Bowie. The question is, are you ready to let your guard down?

'It’s not a crime to have fun.' A group of friends celebrates the end of school – and the start of their lives – with a wild night out. What could possibly go wrong? Award-winning playwright Rachel O’Regan asks what makes a bright future in this riotous new comedy. 'The world’s not made for us. But we can make our own.' Directed by Hannah McEachern, Afterparty is the confetti-covered debut production from women’s theatre company F-Bomb. The only question is: are you ready to party?

International award-winning smash-hit Bromance is back! Five-star circus about camaraderie and affection. Audacious, touching, exhilarating tour de force of physical heroics where handshakes become handstands and backslaps become backflips. Among the UK's hottest circus companies, Barely Methodical Troupe are at the forefront of a new kind of physical performance, creating highly entertaining shows that mix the show-stopping acrobatics of circus with the emotional punch of theatre.

Brilliantly self-deprecating stand-up, Will Mars, is a supercharged combination of old-school joke-telling and modern, autobiographical wit.

This fast-paced, darkly comedic crime story written and directed by Nathaniel Brimmer-Beller follows three women, four eventful days and a nefarious plot straight out of the mid-century pulp. When ruthlessly ambitious bank manager Tabby is blackmailed by the mysterious Keely into robbing her own bank, Tabby incorporates her put-upon assistant Nicolette into the scheme... Of course, nothing goes quite as planned. Returning with their fourth original Fringe show after a sell-out run of Chagos 1971, Black Bat Productions presents this thorny neo-noir as a thrilling bit of pulp and a searing depiction of twisted modern hierarchies.

Emma and Sinéad know all that glitters isn't gold, but when given the opportunity to go from €3.99 wine to limos and Louboutins, maybe happiness is just a swipe away? Cash Point Meet follows two Irish women as they stumble into the world of sex work. What follows is a darkly comic exploration of labour rights and intimacy, spanning over a year in the lives of these women and the characters they encounter. This exciting debut by writer Niamh Murphy is a must-see for its timely themes, witty characters and honesty.

Charlie is a kleptomaniac – the doctor told her. Reckons it stems from childhood trauma. But she has the robbin' completely under control these days. For real. She has a bit of a mouth on her, but she's only trying to be funny, not cause trouble, like. Not today, of all days. She loves that little boy more than she ever thought it was possible to love another human. There's a lot riding on these 24 hours, and if she keeps her head down, she'll get him back.

'Sensational' is how one viewer described this high-quality filmed version of Mark Wheeller's moving play. Telling the true story of Dan, a popular 16-year-old schoolboy from South London, who took ecstasy at an illegal rave in January 2014 and tragically died two days later as a result of taking a lethal dose. This powerful and engaging verbatim production tells the story of what happened to Dan, his family and friends, from heartbreak to redemption.

Remember when your religion teacher taught you about ridin’? And the school nurse told you to shave your pits? Or here, discovering your clit the first time? Wait, you haven’t yet? You don’t wank? Women don’t? My hole they don’t. Stick two fingers up and come with us on a journey back to your teenage self, to being scundered, to self discovery, to abstinence-only sex education, to Northern Ireland; a country of wankers.

Designed specifically to be experienced with headphones, alone, with the lights off and the curtains drawn, Covid Lockdown Breath Machine is a fantastical, transformative and uplifting binaural adventure into the symptoms and imaginings of a coronavirus patient. A woman on the edge of collapse battles a fever as the sweats carry her inside her body. While the world battles coronavirus, one woman searches for answers in her fever dreams. Take a breath and let this breeze whisk you to a world of kaleidoscopes, household gods and mushroom spores on a fresh but capricious westerly wind.

Dishonour is a powerful drama that explores the terrifying practice of female genital mutilation (FGM). Mimi, who plays all six characters, immerses viewers in the difficult truths of the FGM culture.

A new online one-woman show digitally broadcast from East London's leading drag club, The Glory. A hilarious and provocative dive into privilege and sexuality, we follow the story of a private tutor juggling teaching the UK's elite with high-kicking disco balls on a school night.

A hypnotic dreamscape. Through binaural sound audiences are drawn into the mind of a woman who grew up with severe depression and BPD, as she tries to find the answer to who she was, how she came to be that person, who she might have been and who she is now. The audience is taken right to the heart of the most difficult memories, that ultimately transcend the past and point the way to a different future. A future where the memories lose their grip, and with that loss, the power of the abuser fades.

My Car Plays Tapes is the new storytelling show by John Osborne, about getting older, jobs, cars that don’t really work and how to make big decisions with your life.

Tom Mayhew is a professional comedian. Well, he was. Over the last 18 months, he has sold out West End venues and signed on; he then stopped signing on to perform his own Radio 4 stand-up series. It's been both the most and least successful period of his career.

400 milliliters. That's how much liquid was drained from Michael's left testicle when he was a teenager. That's more than a can of coke. He should have told someone sooner, but who could he turn to? His dad died ten years ago, and besides, school is full of rumours about what the giant bulge in his trousers actually is. Who wants to stop that? The true story of a Belfast boy growing up with no father to guide him through and a giant ball.

The Victorian era’s toy theater movement collides with digital theater in this critically acclaimed, epic, table-top, sci-fi adventure. An astronaut crew crash lands on an unfamiliar planet in the distant future and are enslaved by a society where grapes have evolved into speaking creatures with human-like intelligence. “It’s a madhouse!”

The climate apocalypse has hit. Dublin's completely underwater. Best friends Bláthnaid and Debs are the sole survivors, living on the top floor of Liberty Hall. With only seagulls for company, they spend their days sheltering from the storms and reminiscing over the last days of Dublin. Debs looks to the future, but Bláthnaid is tormented by guilt. Why were they blind to the wave that was coming? And can they salvage a future from the wreckage? Afloat explores loss, sisterhood, and climate anxiety. From the makers of Fringe First winner, Mustard

Meet Davy. The things he sees. His streets. His mates. His girl and… The Boys. ‘It is what it is. It’s hard to say what it is. It’s just, you know. What it is.’ East Belfast Boy goes digital. Filmed throughout East Belfast in the summer of 2020 and directed by Emma Jordan, East Belfast Boy features a stunning physical performance by dancer Ryan O’Neill, with voiceover by actor Terrence Keeley and a thrilling updated soundtrack by Phil Kieran.

‘My name is mandla. It means power. I gave it to myself’ – mandla rae has a selective memory and they are scrambling to piece together their life. Through the exploration of mandla’s fragmented asylum and migration memories, as british as a watermelon asks questions about belonging, trauma and forgiveness. Told through an unflinching autofiction narrative weaving poetry and storytelling set within a chaotically colourful, sensory performance space and imagined entirely for the camera with film maker Graham Clayton-Chance; join mandla as they rise from the dead and reclaim their misplaced power.

“I wish Justine would leave me alone, so I could imagine being with her.” Anna has the perfect girlfriend, job and family- in her head. If you can dream it, why do you need to achieve it? When Justine crashes into Anna’s life and her fantasies, she has to make an unsettling choice. In this darkly comic, queer audio play, you share Anna’s headphones to plummet into the power and pain of imagination.

A hell of a lot can happen in the time you await the results of a pregnancy test. This is the story of a woman staring down the barrel of motherhood, torn between her own ambivalence... and an uncontrollable urge to push. Award-winning Popelei burst out of isolation and onto your screens with their darkly comic theatre production, reimagined for film. Blistering honesty, exhilarating choreography, and one extremely knocked-up performer.

A referential piece of immersive digital theatre set in a flat that's been possessed – Poltergeist style – by the ghost of pop-cultural masculinities. The Gash gals find themselves stuck, forced to encounter chit-chatting desk lamps, harmonising closet drawers, a TV that plays nothing but romcoms, a werewolf singing classic rock and way too many Rick and Morty references (one). In this macho world, they grapple with romance, bisexuality, their fears of men and how they'll connect with other people once they finally escape.

Melissa Center is... Marrying Jake Gyllenhaal. No really – she is! What starts out as her Jewish mom's pesky fantasy (and mild-to-moderate... OK, major obsession) turns into a full-on mission as Melissa, single, struggling and *cough* *cough* approaching 40, searches for love (and Jake Gyllenhaal). There will be Jewish moms (or just the one). There will be bad dates. There will be music. There will be stalking. There will be laughter... and some tears. There will be a wedding. There will be Jake. (And, in some way shape or form, Melissa Center will do them all).