Edinburgh 2022: Review: SHOWSTOPPER! THE IMPROVISED MUSICAL, Pleasance Courtyardby Natalie O'Donoghue - August 12, 2022The must-see, Olivier Award-winning West End hit returns for its 13th year! Watch the masters of musical improv create a brand-new musical comedy from scratch at every performance of this multi award-winning show. Audience suggestions are transformed into an all-singing, all-dancing show with hilarious results. Edinburgh 2022: Review: TIFF STEVENSON: SEXY BRAIN, Pleasance Courtyardby Natalie O'Donoghue - August 11, 2022Critically acclaimed stand-up, writer and actor Tiff Stevenson (Mock the Week, People Just Do Nothing, The Office, Game Face and ABC's The Weekly) invites you to spend an hour with a woman and her self-diagnosed Sexy Brain... a study in trying to see all sides of every argument and driving yourself slowly mad in the process. Edinburgh 2022: Review: WILF, Traverse Theatreby Natalie O'Donoghue - August 12, 2022Calvin is going to completely revolutionise his life. Escape his abusive boyfriend, detonate his inner sex bomb, see (and shag) the world. Yes, he’s going to change things, and everything will be wonderful, and he’s going to be so happy. Definitely. Finally. Right? Edinburgh 2022: Review: RED RICHARDSON: SHOTS FIRED, Pleasance Courtyardby Natalie O'Donoghue - August 11, 2022Red Richardson is one of Britain's best up-and-coming comedians. In 2017 he and pop sensation Ollie Murrs (amongst others) were caught in a major police incident. Red found himself cowering under a desk, questioning his life choices and point blank refusing to 'mark himself as safe'. Edinburgh 2022: Review: GRANDMOTHER'S CLOSET, Summerhallby Natalie O'Donoghue - August 11, 2022An autobiographical musical adventure that promises mischief and mash-ups, dresses and divas, and a whole lot of heart. Join Luke Hereford (he/they) as he stumbles along his journey of queer self-discovery through the glamorous spirit of his very own personal cheerleader – his Nan – capturing their brightest memories before they start to fade forever. Reflecting on his first tentative steps down the yellow brick road, Luke takes on Broadway, experiences his first Pride and finds the perfect shade of lipstick – all to the tune of Madonna, Kylie, Kate Bush and all of his favourite pop divas. Edinburgh 2022: Review: LOTTIE PLATCHETT TOOK A HATCHET, Assembly Roxyby Natalie O'Donoghue - August 11, 2022A camp play on the Lizzie Borden case, Lottie Plachett Took a Hatchet is a comedy about axe murder, sexual depravity, and the installation of a toilet. Lottie, an unsuspecting spinster, stands accused of brutally murdering her father and step-mother. But did Lottie Plachett actually take up a hatchet? That's for you and the jury to decide as this camp comedy unfolds Edinburgh 2022: Review: JENNY BEDE: THE FIRST PREGNANT WOMAN IN THE WORLD, Underbellyby Natalie O'Donoghue - August 11, 2022You won't have had children yet, as Jenny is the first person to ever go through this particular ordeal, but you might be keen to learn a little something about this incredible new process called pregnancy from award-winning musical comedian and future nation's sweetheart, Jenny Bede. Jenny will navigate the entire gamut of human emotions, from despair all the way through to despair, as she jokes, sings and (at last, justifiably) Mum-dances her experience to life in this new hour. Edinburgh 2022: Review: AUSTENTACIOUS, Underbellyby Natalie O'Donoghue - August 10, 2022After sell-out national tours, a West End run and Radio 4 special, Austentatious returns to the Fringe for its ninth glorious year! Every single day, an all-star cast improvise a brand new Jane Austen novel based entirely on a single suggestion from the audience. Performed in period costume with live musical accompaniment, this is Austen as you've never seen her before: award-winning, riotous and unmissable. Edinburgh 2022: Review: BREATHLESS, Pleasance Courtyardby Natalie O'Donoghue - August 10, 2022What happens when the things we covet hide us from ourselves? Opening up to new experiences in her late 30s, Sophie is exploring long repressed sides of herself. When a secret she’s keeping from those she loves, and even from herself, threatens to unravel it all, she has to make a choice. Who or what will she decide to give up? Breathless is a funny, honest and stylish exploration of the knife-edge of hoarding, from the joy, to the addiction and suffocating shame. Edinburgh 2022: Review: FANBOY, Pleasance Domeby Natalie O'Donoghue - August 10, 2022Joe has always been a nerd. In his teens, he hid it. In his 20s, he owned it. Now, in his 30s, he's started to sense something: a great disturbance in the fandom... And when Joe finds himself alone, sorting through his old things, he finds an old video tape... and something incredible starts to happen! Edinburgh 2022: Review: SKANK, Pleasance Courtyardby Natalie O'Donoghue - August 11, 2022Skanks just wanna have a clean bill of health, the adoration of the public and some decent recycling facilities. Kate could be a successful writer, if she could just concentrate. Instead, she needs to recycle this bean can, shag sexy Gary and stop obsessing about her inevitable untimely death. Edinburgh 2022: Review: SOOZ KEMPNER: PLAYSTATION, Banshee Labyrinthby Natalie O'Donoghue - August 9, 2022Twitter sensation Sooz (BBC Radio 4, BT Sport, BBC Radio 5 Live) got a PlayStation, the first adult console, in 1998 and finally felt grown-up. But is she? A stand-up show for anyone who remembers the 90s and had big dreams as a kid. Suitable for gamers and non-gamers alike! Edinburgh 2022: Starship Improvise Guest Blogby Natalie O'Donoghue - August 9, 2022Writer, director and performer Adam Meggido blogs for BroadwayWorld about Starship Improvise coming to the Fringe, in what ways a show is better for being improvised and why live performance is so exciting for the cast and the audience. Edinburgh 2022: Review: LET'S TALK ABOUT PHILIP, Pleasance Courtyardby Natalie O'Donoghue - August 10, 2022When 30 years of family silence is broken, Helen begins a quest to discover the hidden story behind her brother's suicide. As surprising details are uncovered, Helen grapples with loyalty, long-held beliefs and how much we ever really know about those we love.
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