Roger Williams University

The Sandra Feinstein-Gamm Theatre (The Gamm) will open its 40th anniversary season with four new board members who were unanimously appointed at this month's annual meeting.

Rocha Dance Theater will present the world premiere of 'Caution:HOT' at HERE Arts Center, exploring women's reproductive bodies through dance, projection, and original costuming.

Trinity Repertory Company has announced the four Rhode Island residents who will be honored at its 24th Pell Awards Gala on Monday, June 5, 2023 at WaterFire Arts Center.

The Play That Goes Wrong by Henry Lewis, Jonathan Sayer, and Henry Shields and directed by Fred Sullivan, Jr.°  is filled with merriment and laugh-out-loud antics that will be a highlight of your holiday season.

Larry Rachleff, former Music Director of the Rhode Island Philharmonic Orchestra, passed away on  August 8th in Houston, TX. He served as Music Director from 1996-2017 and conducted his final  concerts with the orchestra in May 2017, his farewell as Music Director. That concert featured his wife, mezzo-soprano Susan Lorette Dunn. 

Arts On Site (AOS) has announced August performances, featuring dance, music, and film in the heart of the East Village at Studio 3R, 12 St. Mark's Place, NYC.

The Floating World, a new one-man-show from Wilbury Theatre Group resident artist Andy Russ, opens Jan. 27 at the Wilbury Theatre Group Performance Space at WaterFire Arts Center.

A smidgeon of Twain, a splash of haiku, and a hint of lunar conspiracy, served up on a bed of mixed metaphor and frogs—The Floating World, a new one-man-show by Wilbury Theatre Group Resident Artist Andy Russ that is equal parts pantomime and performance art, presents a series of multimedia meditations on the elusivity of the human experience and the languages with which we try to explain it.

Connecticut Landmarks has selected Aaron Marcavitch as Executive Director, following a national executive search process led by Arts Consulting Group (ACG). He began his tenure on September 14, 2020.

At its Annual Meeting on June 15, 2020, Trinity Repertory Company's Board of Trustees elected new officers and three new trustees for terms beginning July 1. Succeeding Suzanne Magaziner, who served as Chair of the Board since 2014, Louis Giancola, the retired President and CEO of South County Health, was elected to a three-year term as Chair.

The Soaking Wet Series concludes with October 3-5 performances.

Works & Process, the performing arts series at the Guggenheim, presents a Works & Process dance and costume commission by Reid Bartelme and Harriet Jung with new choreography by Christopher Williams and Netta Yerulshamy in collaboration with NYU's Institute for the Study of the Ancient World's exhibition, Hymn to Apollo: The Ancient World and the Ballets Russes, on Sunday and Monday, April 28 and 29, 2019 at 7:30pm

The CUNY Dance Initiative and John Jay College, in collaboration with Rocha Dance Theater, present the World Premiere of Half-Heard at the Gerald W. Lynch Theater at John Jay College, 524 W. 59th Street, NYC today, February 15, 2019 at 8pm. Tickets are $25 and are available at https://halfheard.brownpapertickets.com/.

The CUNY Dance Initiative and John Jay College, in collaboration with Rocha Dance Theater, present the World Premiere of Half-Heard at the Gerald W. Lynch Theater at John Jay College, 524 W. 59th Street, NYC on Friday, February 15, 2019 at 8pm. Tickets are $25 and are available at https://halfheard.brownpapertickets.com/.  

Highly acclaimed for her "fierce choreographic imagination" (The New York Times), Netta Yerushalmy makes her Pillow debut with the world premiere of Paramodernities, August 8-12. By deconstructing and re-examining iconic works by choreographers Vaslav Nijinsky, Martha Graham, Alvin Ailey, Merce Cunningham, Bob Fosse, and George Balanchine, Yerushalmy dismantles the modern tradition with both reverence and intensity. Performed by a diverse cast of dancers alongside contributions by scholars and writers, Paramodernities assembles some of today's best and brightest minds to bridge the sometimes disparate worlds of dance and academia.