Kiss Me, Kate - Broadway Creative Team

Cole Porter composer and lyricist, created a sophisticated and rich body of work that appeared on both Broadway and the Big Screen. Charming melodies and clever lyrics set Porter aside from other composers. Notable songs include, “Let’s Do It (Let’s Fall In Love)” for Paris, “Night and Day” for Gay Divorce, “Wunderbar” for Kiss Me, Kate, “All Through the Night,” “I Get A Kick Out Of You,” “Blow Gabriel Blow,” and the title song for Anything Goes. Porter won his first Tony for his Kiss Me, Kate score. He also wrote many famous songs that appeared in films including, “I’ve ... read more ... read more ... read more Broadway credits as Director/Choreographer: Evita (Tony nomination), How to Succeed (Tony nominations Direction/Choreography), Promises, Promises (Tony nomination Choreography); as Choreographer: Thoroughly Modern Millie (Tony Award Best Choreography), Wedding Singer (Tony nom.), Cry Baby (Tony nom.), Curtains (Tony nom.). London - as Director: Anna Christie (Donmar), A Streetcar Named Desire (Donmar - Olivier nomination, Best Revival), Shrek The Musical; as Director/Choreographer: Parade (Donmar - Olivier nominations, Direction/Choreography); as Choreographer: Evita (Olivier nom.), Guys and Dolls (Olivier nom.), Thoroughly Modern Millie (Olivier nom.), Forum at The National Theatre. Other: 81st Annual Academy Awards (Emmy Award Choreography). Rob is a member of The ... read more Berlind was a New York City theatrical producer and board member of Lehman Brothers Holdings, Inc. and Lehman Brothers Inc. He was one of the founders of Carter, Berlind, Potoma & Weill in 1960, a company that would later through Sandy Weill become Shearson Loeb Rhoades, which was eventually sold to American Express in 1981 for approximately $930 million in stock. Recent productions include The Book of Mormon, Copenhagen; Kiss Me, Kate; Proof; Medea; Anna in the Tropics; Caroline, or Change; Wonderful Town; Doubt; The History Boys; Who’s Afraid of Virginia Woolf?; Faith Healer; Deuce; The Year of Magical Thinking; Curtains; ... read more Michael Blakemore is an accomplished actor, director, and writer with a long and distinguished career in both the theater and film industries. Born in Sydney, Australia in 1928, Blakemore began his career as an actor before transitioning to directing in the 1960s. He has since become one of the most respected directors in the industry, with numerous awards and accolades to his name. Blakemore's early career was marked by his work as an actor in Australia and the UK. He made his West End debut in 1950 in a production of The Heiress, and went on to appear in numerous productions ... read more David has been Music Director, Supervisor and/or Arranger for thirty-five Broadway productions. Most recently, David acted as dance arranger on Roundabout Theatre Company’s Kiss Me, Kate and Tootsie, currently on Broadway. Other theatre credits include: many arrangements for the Boston Pops and Tanglewood Festival Chorus, The Kennedy Center Honors, Radio City Music Hall (where he spent many years as music director), EssentialVoicesUSA (including the upcoming Washington Women), and TV’s Crazy Ex-Girlfriend. Music director for several productions at the Lyric Opera of Chicago (including The King and I with choreographer Peggy Hickey), and for NBC’s live performances of The Sound of Music ... read more Pick a Stephen Sondheim Broadway premiere in the last three decades – say, Sweeney Todd or Sunday in the Park with George or Into the Woods. Who was at the podium on opening night? If you guessed Paul Gemignani, you got it right. In fact, Maestro Gemignani has been a distinguished and constant presence in musical theater for the last forty years. In 2001 he was honored with a Special Lifetime Achievement Tony Award®. Significantly, for an artist so closely associated with Sondheim, Gemignani made his Broadway debut as a conductor in Sondheim’s Follies (1971), taking over the role of music ... read more John Guare is an American playwright and screenwriter. He is best known as the author of The House of Blue Leaves and Six Degrees of Separation. ... read more Broadway: Amelie; Sunday in the Park With George; Allegiance; Gigi; Fun Home; On the Town; First Date; Follies (Tony Award & Drama Desk Nominations); and Million Dollar Quartet. Other: A Legendary Romance; Poster Boy (Williamstown); Beaches (Drury Lane); Brooklynite (Vineyard); Little Dancer and First You Dream (Kennedy Center); Zorro (Moscow; Atlanta); Hinterm Horizont (Berlin); Sweeney Todd and Man of La Mancha (Portland Opera); and She Loves Me (Oregon Shakespeare Festival). Audio Consultant for the revival of Hedwig and the Angry Inch. Education: Yale University. ... read more London-born Paul Huntley has worked hundreds of Broadway shows, most memorably the original productions of Amadeus, Cats, Evita, Sweeney Todd, The Producers and Hairspray. A recipient of the Drama Desk and Tony awards, he has also worked with the some of the most legendary leading ladies of the cinema, ranging from Bette Davis and Vivien Leigh to Jane Fonda and Faye Dunaway. Current shows include Anything Goes, War Horse, Other Desert Cities and Leap of Faith. ... read more More than 35 plays and musicals including Anything Goes; Venus in Fur; Nice Work if You Can Get It; Young Frankenstein; Curtains; Grey Gardens; The Pajama Game; The Producers; Contact; Kiss Me, Kate. Many productions Off-Broadway and for resident and regional theatres in the U.S. Opera: The Met, NYCO, LAMCO, San Francisco, Houston Grand, Seattle. Abroad: Royal Opera, Scottish Opera, La Fenice, Maggio Festival Florence, L'Arena di Verona, Teatrolirico di Cagliari, Teatro Sao Carlos Lisbon. He is the recipient of Tony, Drama Desk, Outer Critics, Drama-Logue and Hewes design awards. ... read more Kathleen Marshall received 2011 Tony, Drama Desk and Outer Critics Awards for choreography and Tony, Drama Desk and Outer Critics nominations for direction for Anything Goes. Also on Broadway, Kathleen directed and choreographed The Pajama Game, Wonderful Town and Grease and choreographed Boeing-Boeing, Little Shop of Horrors, Seussical, Follies, Kiss Me, Kate, 1776 and Swinging on a Star. Off-Broadway credits include Two Gentlemen of Verona (New York Shakespeare Festival), Saturday Night (Second Stage), Violet (Playwrights Horizons) and As Thousands Cheer (Drama Dept). For City Center Encores!, she directed and choreographed Bells Are Ringing, Applause, Carnival, Hair and Babes in Arms, ... read more Broadway: Lysistrata Jones (associate producer as well as sound design); …Drood (Drama Desk Award); First Date (associate producer); Pal Joey; The Ritz; Laugh Whore; Man of La Mancha; Sweet Smell of Success; Copenhagen; Kiss Me, Kate; Footloose; The Lion King (Drama Desk Award); The Sound of Music; A Christmas Carol (MSG); Steel Pier; Forum; The King and I; Moon Over Buffalo; Smokey Joe’s Cafe; Guys and Dolls; Five Guys Named Moe; She Loves Me; The Red Shoes; Anything Goes. London: Kiss Me, Kate; The Lion King; Smokey Joe’s Cafe; and Anything Goes. National and international: The Lion King, Les Miserables, ... read more NY Theater includes: The Normal Heart, Anything Goes (Tony® nomination), Glass Menagerie (Lortel nomination), Lend Me a Tenor (Hewes Award, Tony® & Outer Critics nominations), Thoroughly Modern Millie, Blithe Spirit (Tony® nomination), Kiss Me, Kate (Tony Award® winner), Pajama Game (Tony® nomination), Wild Party, Golden Child, Kimberly Akimbo, The Life. Opera: Iphigénie en Tauride (Metropolitan Opera), The Bartered Bride (Juilliard), Tristan & Isolde, Adriana Mater (Paris Opera/Bastille), L'amour de Loin (Salzburg, Paris/Chatelet, Santa Fe, Helsinki), Iolanta, Perséphone (Teatro Madrid); works throughout U.S., Canada, Europe and Japan. Dance: Mark Morris Dance Group, SF Ballet, Boston Ballet, Arizona Ballet, Pacific Northwest Ballet. ... read more Donald John Sebesky was an American composer, arranger, conductor, and jazz trombonist. He was a multi-instrumentalist and could play a number of other instruments: keyboards, electric piano, organ, accordion, and clavinet. ... read more Arthur Siccardi was a Production Manager, Technical Supervisor, and Production Supervisor with countless Broadway credits. He worked on shows such as Chicago, La Cage Aux Folles, Billy Elliot, Grease, A Chorus Line, The Color Purple, Gypsy, Mamma Mia!, Jesus Christ Superstar, Saturday Night Fever, Annie Get Your Gun, and many more. ... read more Broadway: Evita, How To Succeed; Promises, Promises; Steady Rain; 33 Variations; ...Millie; Sexaholix...; Kiss Me Kate; Kat and the Kings; Freak; Beauty and the Beast; Angels in America; I Hate Hamlet; Eastern Standard. Roundabout, NYSF, MTC, Altar Boyz, MTC. ... read more Wagner was born in San Francisco, the son of Phyllis Edna Catherine (née Smith-Spurgeon) and Jens Otto Wagner. His mother was from New Zealand and his father was from Denmark. He attended art school and started his career in theatres in that city with designs for Don Pasquale, Amahl and the Night Visitors, Tea and Sympathy, and Waiting for Godot, among others. In 1958, he relocated to New York City, where he worked on numerous off-Broadway productions before making his Broadway debut as an assistant designer for the Hugh Wheeler play Big Fish, Little Fish in 1961. His first solo ... read more