Simon Baker is an Australian actor and director with an impressive career in both film and television. Born on July 30, 1969, in Launceston, Tasmania, Baker began his career as a teenage actor in Australian television shows such as E Street and Home and Away.
In 1997, Baker moved to the United States to pursue his acting career and quickly landed roles in television shows such as The Guardian and The Mentalist. He received critical acclaim for his portrayal of Patrick Jane in The Mentalist, which aired from 2008 to 2015.
Baker has also had success in film, appearing in movies such ... read more
Musical Supervisor credits include: Bananaman the Musical.
Associate Musical Supervisor credits include: Girl from the North Country (New York); Matilda the Musical (South Africa and Asia) and Avenue Q (UK Tour).
Musical Director credits include: A Little Princess; Girl from the North Country; Big Fish; Ghost the Musical; Groundhog Day; The Commitments; Matilda the Musical; Avenue Q and Little Shop of Horrors.
Associate Musical Director credits include: Shrek the Musical; Matilda the Musical; Hairspray; Spamalot; Aladdin and Kiss Me, Kate.
Television and radio credits include: The Royal Variety Performance, The Olivier Awards, Children in Need, 4 Poofs & a Piano and Friday Night is ... read more
Lizzi Gee is a Choreographer, Movement Director and Practitioner whose work spans across all aspects of theatre, opera, film and television.
Lizzi is an Old Vic Associate Artist.
Lizzi is an extremely versatile creative, having worked on large scale musicals, creating a movement language for plays and opera, working ‘one on one’ to find the physical language of a character, to personal movement coach.
Lizzi is able to adapt and collaborate easily across many different genres. She has a particular ability to put any performer at ease with her self assurance, energy and excellent social skills.
Lizzi’s credits include, The National Theatre, the Old ... read more
Rob Howell has designed sets and costumes extensively in the theatre and opera in the UK and abroad including at The Royal Court, The Donmar Warehouse, The Old Vic, The National Theatre, The Royal Shakespeare Company, The Royal Opera House and The Metropolitan Opera and on Broadway. He has received numerous Olivier and Tony nominations, including a current Olivier nomination for The Ferryman, and was awarded Oliviers for Best Set Designer in the years 2000, 2006 and 2012 and a Tony for Best Set Designer in 2013. ... read more
Christopher is the musical supervisor, orchestrator and created additional music for Matilda the Musical for which he received a Tony Award nomination for Best Orchestrations and a Grammy Award nomination for his work as co-producer on the Matilda album. He recently composed the score for the film Pride, which was BAFTA nominated. Theatre credits include: Composer – Future Conditional (Old Vic), Musical Supervisor, Arranger and Orchestrator for Ghost the Musical (London and Broadway), co-composer for The Lord of the Rings (London and Toronto, also musical supervisor, arranger and orchestrator). He was musical supervisor and arranger for Yusuf Islam's Moonshadow and ... read more
Jack Thorne writes for theatre, film, television and radio. His theatre credits include Hope and Let The Right One In, both directed by John Tiffany, Woyzeck at the Old Vic, Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic and Theatr Clwyd co-production, The Solid Life of Sugarwater for the Graeae Theatre Company and the National Theatre, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include ... read more
Hugh has designed the lighting for more than 160 productions and worked for most of the UK's national companies and extensively on Broadway. He has received three Olivier Awards for Best Lighting Designer: in 2004 for Pacific Overtures (Donmar); in 2000 for The Graduate (West End) and The Cherry Orchard (National Theatre); and in 1998 for The Unexpected Man (RSC) and The Blue Room (Donmar). In New York he received TONY® award nominations for Mary Stuart and Spamalot.
His most recent work includes: Ghost the Musical (West End); The Wizard of Oz (West End); Matilda (RSC); Deathtrap (West End); La Bête ... read more