Jon is an Olivier Award winning and double Tony Award nominated lighting designer, based in the UK.
Theatre includes
NATIONAL THEATRE: The Lehman Trilogy (also Park Avenue Armory, New York and Piccadilly Theatre, West End), Manor, I’m Not Running, Absolute Hell, Amadeus, As You Like It, The Beaux Stratagem, Hamlet, Othello, The Effect, Collaborators, A Woman Killed With Kindness, Greenland, Pains of Youth, Our Class, Damned by Despair, Women of Troy, The Cat in the Hat, Beauty and the Beast, Hansel and Gretel.
ROYAL SHAKESPEARE COMPANY (RSC): Hamlet, The Tempest, The Comedy of Errors, Twelfth Night, The Merchant of Venice, The Winter’s Tale, ... read more
ES DEVLIN IS AN ARTIST AND DESIGNER.
SHE IS KNOWN FOR CREATING LARGE-SCALE PERFORMATIVE SCULPTURES AND ENVIRONMENTS THAT FUSE MUSIC, LANGUAGE AND LIGHT.
MEMORY PALACE (PITZHANGER MANOR, LONDON 2019) MAPPED A HISTORY OF SHIFTS IN HUMAN PERSPECTIVE OVER 73 MILLENNIA.
MIRRORMAZE (PECKHAM, LONDON 2016), EXPLORED IDENTITY THROUGH REFLECTIVE LABYRINTHINE GEOMETRIES.
HER FLUORESCENT RED FIFTH LION ROARED AI-GENERATED COLLECTIVE POETRY TO CROWDS IN LONDON’S TRAFALGAR SQUARE IN SEPTEMBER 2018.
SINGING TREE, A COLLECTIVE CHORAL INSTALLATION AT THE V&A, LONDON MERGED MACHINE-LEARNING WITH SOUND AND LIGHT IN 2017;
DEVLIN COLLABORATED WITH THEORETICAL PHYSICIST CARLO ROVELLI ON AN INTERPRETATION OF THE ORDER OF TIMEREAD BY BENEDICT CUMBERBATCH IN 2018.
SHE ... read more
Recent Theatre Includes: Hamlet (Almeida/West End); A View From the Bridge (nominated for Best Sound Design Olivier Award 2015) (Young Vic/West End), Life of Galileo, Happy Days, A Season in the Congo, Disco Pigs (Young Vic) Hedda Gabler, Sunset At The Villa Thalia, The Red Barn, People, Places and Things (Winner for Best Sound Design, Olivier Awards 2016) (National Theatre/West End); Les Miserables (Wermland Opera, Sweden); The Lorax (Old Vic); The Crucible (Walter Kerr Theater Broadway); Oresteia (Almeida Theatre/Trafalgar Studios); Anna Karenina (Manchester Royal Exchange); The Moderate Soprano, Elephants (Hampstead Theatre); White Devil, As You Like It (RSC); Translations, Plenty ... read more
Goold is the Almeida Theatre's Artistic Director where he has directed Shipwreck, Albion, INK (transferred to the West End), Richard III, Medea, The Merchant of Venice, King Charles III (West End, Broadway, U.K. and international tour) and American Psycho (also Broadway).
He was Artistic Director of Headlong from 2005 until 2013 where his work included The Effect, Enron, Earthquakes in London and Decade. Other credits include Made in Dagenham (West End) and Macbeth (Chichester Festival Theatre, West End and Broadway). He has twice been the recipient of the Laurence Olivier Award for Best Director.
On film, he directed True Story ... read more
Graham's first professional play, Albert's Boy, was produced by the Finborough Theatre in west London, where Graham became playwright-in-residence. His first major play This House was commissioned by the Royal National Theatre, where it was critically and commercially acclaimed, transferred to the larger Olivier Theatre, and was nominated for the Olivier Award for Best New Play. This House was revived in 2016 and ran for two years, first in the West End and then on a national tour.
He wrote the book for the Broadway musical Finding Neverland, and two of his own plays, Privacy and Ink (for which he received ... read more
London based Tony & Olivier nominated choreographer, Ellen Kane is currently working on Legally Blonde for Regent's Park Open Air Theatre (dir. Lucy Moss) and has been working as the Choreographer for Matilda (feature film dir. Matthew Warchus for Netflix) and A Chorus Line (dir. Nikolai Foster) for the Curve in Leicester. Other credits include: Choreographer West Side Story (dir. Nikolai Foster) for the Curve in Leicester and Dance & Movement Supervisor on Cats (dir. Tom Hooper), Co-Choreographer of Groundhog Day The Musical (dir. Matthew Warchus), Old Vic Theatre London and the August Wilson Theatre Broadway (Tony and Olivier nominations); ... read more