Patriots - West End Creative Team

Theatre and Dance includes: King Lear; To Kill a Mockingbird; Three Tall Women; A Doll’s House 2; The Children (Broadway); And Breathe…, Hymn, Shipwreck; Machinal; Albion; Boy; When the Rain Stops Falling; Judgement Day (Almeida Theatre) The Jungle (Young Vic/ West End/ New York); The Trial; Public Enemy; Wild Swans; The Government Inspector; In the Red and Brown Water; The Good Soul of Szechuan; Generations (Young Vic); Glass.Kill.Blubeard.Imp; Sucker Punch; Cock; In the Republic of Happiness; Get Santa!; (Royal Court); The Children; Escaped Alone; Love and Information (Royal Court Theatre/New York); Sunny Afternoon; Chariots of Fire (Hampstead Theatre/West End); ... read more Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015. His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). ... read more Goold is the Almeida Theatre's Artistic Director where he has directed Shipwreck, Albion, INK (transferred to the West End), Richard III, Medea, The Merchant of Venice, King Charles III (West End, Broadway, U.K. and international tour) and American Psycho (also Broadway). He was Artistic Director of Headlong from 2005 until 2013 where his work included The Effect, Enron, Earthquakes in London and Decade. Other credits include Made in Dagenham (West End) and Macbeth (Chichester Festival Theatre, West End and Broadway). He has twice been the recipient of the Laurence Olivier Award for Best Director. On film, he directed True Story ... read more