The Prince of Egpyt - Creative Team

... read more Trained: National Film and Television School and Croydon College of Art. Theatre: Wizard of Oz (The Palladium), Birdsong (Comedy), Love Never Dies (Adelphi), Enron (Noel Coward) - Olivier Nomination for Best Projection Design, The Prisoner of Second Avenue (Vaudeville), Earthquakes in London, Nation, The Power of Yes, All's Well that Ends Well, The Observer, Gethsemane, Her Naked Skin, Fram, A Matter of Life and Death, The Reporter (NT), Midnight's Children (RSC), Frost/Nixon (Donmar), Complicit (Old Vic), The Lightning Play, Whistling Psyche (Almeida), Darwin in Malibu (Hampstead), Some Girls are Bigger than Others, Lady Into Fox (Lyric Hammersmith), The Last Cigarette (Chichester), ... read more Recent orchestrations and/or dance arrangements: Memphis (Broadway), Romantic Poetry (M.T.C.), All Shook Up (1st national tour), Walmartopia (cast recording), Berlin, Imperfect Chemistry (cast recording), Always...Patsy Cline, Honky Tonk Angels. Coming up: The Addams Family, The Big Time. Broadway/Tours: All Shook Up (conductor), Ring Of Fire (Assoc. M.D., cast recording), Rent (Assoc. Conductor), The Full Monty (conductor, 1st national). ... read more Chris Fisher is a member of The Magic Circle. He works worldwide as International Illusions & Magic Associate for Harry Potter & The Cursed Child. Theatre credits as Illusion Consultant include: Peter Gynt (National Theatre), Superhero(Tony Kiser Theater, NY); A Very Very, Very Dark Matter (Bridge Theatre); Company(Gielgud); Julie (National Theatre); Angels in America (National Theatre & Broadway); Macbeth (RSC, Swan Theatre & Barbican); Barnum (Menier Chocolate Factory); The Hypocrite (Hull Truck Theatre/RSC, Swan Theatre); Big The Musical (Plymouth Theatre Royal/Dublin Bord Gáis Theatre); No Man’s Land (Wyndham’s); Into the Woods(Royal Exchange); Here We Go, Treasure Island (National Theatre); Xanadu(Southwark Playhouse); ... read more Sound Design Award highlights : Tony Award & Drama Desk Award for MJ: THE MUSICAL. Olivier Award, Outer Critics Circle Award, Broadway World Award, Green Room Award, Dora Award, Craig Noel Award, and the WhatsOnStage Award for COME FROM AWAY; Olivier Award for MEMPHIS, Olivier Award for MERRILY WE ROLL ALONG, Tony nomination for A LITTLE NIGHT MUSIC, Tony nomination for END OF THE RAINBOW, Olivier nomination for BACK TO THE FUTURE, Olivier nomination for BAT OUT OF HELL, Olivier nomination for TOP HAT, Olivier nomination for END OF THE RAINBOW, and Pro Sound Award for SOUND ENGINEER OF THE ... read more Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well. In 1971, he wrote the music ... read more