Joseph and the Amazing Technicolor Dreamcoat - West End Creative Team

Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were successful outside of their parent musicals, such as "Memory" from Cats, "The Music of the Night" and "All I Ask of You" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me Argentina" from Evita, and "Any Dream Will Do" from ... read more Director: Joseph and the Amazing Technicolor Dreamcoat (The London Palladium); Chess (English National Opera); Unmasked (The Other Palace); Miss Saigon (Broadway, West End); School of Rock (Broadway, West End, US Tour, Australia, China and Korea); Les Misérables (London, Broadway, US Tours, UK Tours, Australia, Japan, Korea and Spain); Jesus Christ Superstar (UK and Australian arena tour); The Phantom of the Opera (UK and US tours); Oliver! (UK tour). He directed the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall and the 25th anniversary concert of Les Misérables at the O2 in London, both of which ... read more One of the most versatile composers in Britain today, Academy-nominated John Cameron created the musical score for every version of Les Misérables from the original Robert Hossein production in 1980 through the RSC, Broadway, tour and concert versions. He won the New York Drama Desk Award for Les Mis in 1986 and the National Broadway Theatre Award in 2002. The New York cast album won a Grammy. Primarily known for his screen composing and recording work, John recently received an Emmy nomination for his score to A Path to 9/11. John’s film credits include the Oscar-nominated music score for A Touch ... read more JoAnn M. Hunter has 20 Broadway shows to her credit as a Choreographer, Associate Choreographer and Performer. Choreography: Broadway – School Of Rock (Bdway, US Tour and West End, Australia), Disaster, On A Clear Day You Can See Forever, Broadway Bound. National Tour/Regional: Ever After (Alliance Theatre), World Premiers of August Rush with John Doyle, Beatsville by Glenn Slater, A Sign Of The Times by Bruce Vilanch, Harmony (Alliance/Ahmanson Theatre) by Barry Manilow and Bruce Sussman, and Marvin Hamlisch and Rupert Holmes’ The Nutty Professor directed by Jerry Lewis. Pump Boys and Dinettes , Grease, Oliver, & Curtains all at (PMP), Nat’l tour ... read more Owns London’s Wig Specialities. Theatre: La Cage Aux Folles, Priscilla Queen of the Desert, Frost/Nixon, Hairspray, South Pacific, Legally Blonde, Passion, End of the Rainbow, White Christmas, Piaf, Sweet Charity, Evita, Guys and Dolls, The Producers, Thoroughly Modern Millie, All New People, Donmar West End Season. Television: “Little Britain,” “Poirot.” Film: The Ghost Writer, Titanic, Star Wars, “Dumbledore” in Harry Potter. Personal Wigmaker to Sean Connery, Dame Edna, Kylie Minogue, Madonna. ... read more Sound Design Award highlights : Tony Award & Drama Desk Award for MJ: THE MUSICAL. Olivier Award, Outer Critics Circle Award, Broadway World Award, Green Room Award, Dora Award, Craig Noel Award, and the WhatsOnStage Award for COME FROM AWAY; Olivier Award for MEMPHIS, Olivier Award for MERRILY WE ROLL ALONG, Tony nomination for A LITTLE NIGHT MUSIC, Tony nomination for END OF THE RAINBOW, Olivier nomination for BACK TO THE FUTURE, Olivier nomination for BAT OUT OF HELL, Olivier nomination for TOP HAT, Olivier nomination for END OF THE RAINBOW, and Pro Sound Award for SOUND ENGINEER OF THE ... read more Dr John Rigby is a conductor, musical supervisor and musicologist who initially studied orchestral conducting at the University of Huddersfield and the Royal Northern College of Music. He gained his PhD from Kings College London having researched the cultural resonances of Franz Lehár’s ‘Berlin’ operettas during the Weimar Republic. He also holds an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting. West End credits include: An American in Paris (Dominion); Beautiful and Damned (Lyric); The Drowsy Chaperone (Novello); The King and I (Palladium); The Last Empress (Apollo, Hammersmith); Marguerite (Theatre Royal, ... read more