Anna Christie - West End Creative Team

Broadway credits as Director/Choreographer: Evita (Tony nomination), How to Succeed (Tony nominations Direction/Choreography), Promises, Promises (Tony nomination Choreography); as Choreographer: Thoroughly Modern Millie (Tony Award Best Choreography), Wedding Singer (Tony nom.), Cry Baby (Tony nom.), Curtains (Tony nom.). London - as Director: Anna Christie (Donmar), A Streetcar Named Desire (Donmar - Olivier nomination, Best Revival), Shrek The Musical; as Director/Choreographer: Parade (Donmar - Olivier nominations, Direction/Choreography); as Choreographer: Evita (Olivier nom.), Guys and Dolls (Olivier nom.), Thoroughly Modern Millie (Olivier nom.), Forum at The National Theatre. Other: 81st Annual Academy Awards (Emmy Award Choreography). Rob is a member of The ... read more Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015. His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). ... read more Howard’s current work on Broadway includes Tom Stoppard’s Rock ’n’ Roll, Mary Poppins (2007 Tony nomination) and Mamma Mia! (also London and worldwide). In the West End: Macbeth, Glengarry Glen Ross, Guys and Dolls, Donkeys’ Years and Edward Scissorhands. Previous work in New York/on Broadway includes Cat on a Hot Tin Roof, Putting It Together and The Makropulos Case and Nabucco for the Metropolitan Opera. ... read more