Ricky Jay: On the Stem - Off-Broadway Creative Team

Ms. Eisenhauer and collaborator Jules Fisherhave collectively been awarded Broadway’s Tony Award for Best Lighting Design of a Musical seven times, including Stephen Sondheim’s Assassins (2004, Revival), Bring in ‘Da Noise, Bring in ‘Da Funk (1996), Jelly’s Last Jam (1992), The Will Rogers Follies (1991), Grand Hotel (1990), Bob Fosse’s Dancin’ (1978), and Pippin (1973), and once for Best Lighting Design of a Play for Ulysses in Nighttown (1974). For motion pictures, Fisher and Eisenhauer designed theatrical lighting for Rob Marshall's Chicago, Mel Brooks' The Producers, Richard Linklater's School of Rock and Bill Condon's Dreamgirls, and Disney's live-action remake of ... read more In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more David Mamet is a prolific playwright, screenwriter, and director known for his distinct style and sharp dialogue. Born in Chicago in 1947, Mamet began his career as a playwright in the 1970s, quickly gaining a reputation for his gritty, realistic portrayals of working-class characters. Mamet's breakthrough came in 1976 with his play "American Buffalo," which premiered at the Goodman Theatre in Chicago before moving to Broadway the following year. The play, which follows a group of small-time crooks planning a heist, was praised for its raw, naturalistic dialogue and won the New York Drama Critics' Circle Award for Best American Play. In ... read more Rothman co-founded Second Stage in 1979 with the goal to create an open, creative space that served to introduce the community to new, emerging talent and to produce new plays by living American Playwrights. Over the past 45 years, Rothman has produced more than 250 inspiring plays and musicals, introducing the world to bold and diverse voices. Her taste as an artistic director, which the New York Times once called, “eclectic and unpredictable,” has resulted in a wide range of premieres and new interpretations of some of America’s best contemporary theater, as well as catapulted shows to hundreds of productions ... read more