Twilight: Los Angeles, 1992 - Broadway Creative Team

Ms. Eisenhauer and collaborator Jules Fisherhave collectively been awarded Broadway’s Tony Award for Best Lighting Design of a Musical seven times, including Stephen Sondheim’s Assassins (2004, Revival), Bring in ‘Da Noise, Bring in ‘Da Funk (1996), Jelly’s Last Jam (1992), The Will Rogers Follies (1991), Grand Hotel (1990), Bob Fosse’s Dancin’ (1978), and Pippin (1973), and once for Best Lighting Design of a Play for Ulysses in Nighttown (1974). For motion pictures, Fisher and Eisenhauer designed theatrical lighting for Rob Marshall's Chicago, Mel Brooks' The Producers, Richard Linklater's School of Rock and Bill Condon's Dreamgirls, and Disney's live-action remake of ... read more In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more John Gromada (Composer/Sound Designer) has composed music or designed sound for more 40 Broadway productions, including All My Sons, Torch Song, The Elephant Man, The Trip to Bountiful with Cicely Tyson (Tony nomination), Gore Vidal's The Best Man (Drama Desk Award), Clybourne Park, Seminar, Man and Boy, The Columnist, Next Fall, A Bronx Tale, Prelude to a Kiss, Proof, A Streetcar Named Desire, Twelve Angry Men, and the original A Few Good Men. His other New York credits include Amy and the Orphans, Bruce Norris' Domesticated, Old Hats, Measure for Measure (Delacorte Theater), The Orphans? Home Cycle (Drama Desk ... read more Broadway: Bernhardt/Hamlet; Come From Away; August Wilson’s Jitney; Amazing Grace; Lucky Guy; The Scottsboro Boys; Finian’s Rainbow; Chita Rivera: The Dancer’s Life; Ma Rainey’s Black Bottom; King Hedley II; One Mo’ Time; The Wild Party; Marie Christine; Footloose; The Tempest; Twilight: Los Angeles, 1992; Angels in America: Millennium Approaches & Perestroika; Chronicle of a Death Foretold; and Jelly’s Last Jam. Off-Broadway: The Public Theater, Playwrights Horizons, Second Stage, Soho Rep, Lincoln Center Theater, New York Theatre Workshop, Manhattan Theatre Club, and the Roundabout Theatre, among others. Regional: Berkeley Repertory Theatre, La Jolla Playhouse, Steppenwolf, Hartford Stage, Long Wharf Theatre, the ... read more Daryl Roth is a Tony Award-winning Broadway producer who has been a driving force in the theater industry for over 30 years. She is known for her innovative productions, which often tackle challenging and thought-provoking subject matter. Born in 1945 in Lakewood, New Jersey, Roth grew up in a family that was deeply involved in the arts. Her father was a musician and her mother was a painter, and they encouraged their daughter to pursue her own creative interests. Roth attended the University of California, Berkeley, where she studied history and literature. After college, Roth moved to New York City and began ... read more Ric was lead producer on Broadway for Anna Deveare Smith's TWILIGHT LOS ANGELES 1992; MARLENE by Pam Gems; RSC Representative for MATILDA The Musical on Broadway. Off-Broadway : JOLSON & Company. Investor in over 25 Broadway and Off-Broadway productions; American Advisor to the Royal Shakespeare Company and Executive President of RSC America, 2004-2015. Long-time Associate and Interim Director of Commercial Theater Institute. 1982-2006. Ric is President of RICOCHET GROUP LLC , strategic change advisors to Leaders of theaters nationally and abroad. In 2003, expanded to include Presidents and Boards in higher education. ... read more Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more