A Class Act - Off-Broadway Creative Team

... read more ... read more Four-time Tony winner Kevin Adams has designed SpongeBob SquarePants (Tony nom.), Head Over Heels, Hedwig and the Angry Inch (Tony and Outer Critics Award), American Idiot (Tony Award), Spring Awakening (Tony Award; Olivier nom for the West End production), Next To Normal (Tony nom), The 39 Steps (Tony and Drama Desk Awards), Hair (Tony nom), Man And Boy, Everyday Rapture, Passing Strange, Take Me Out, A Class Act, Hedda Gabler with Kate Burton, solo shows by Eve Ensler and John Leguizamo. Off-Broadway he has worked on the original production of Hedwig and the Angry Inch, The Scottsboro Boys, Rent, Carrie, new ... read more Barry is in his 36th year of partnership with artistic director Lynne Meadow at MTC, where he has produced hundreds of American and world premieres for MTC. He is a member of the LORT Executive, Committee, the Broadway League Board of Governors and the Tony Administration Committee and is a trustee of the Equity-League Pension and Health Trust Funds. In the past, he has served as president of ART/New York. He received the 2000 Edith Oliver Award for Sustained Excellence Off-Broadway, the Arts and Business Council’s 1997 Arts Management Excellence Award and a citation from the New York City Council ... read more As Artistic Director, Lynne has been the artistic visionary and leader of MTC since 1972, creating work that has put the company at the forefront of the American theatre. She has accepted every major theatre award on behalf of MTC. Directing credits include Margaret Edson’s Wit, Donald Margulies’ Collected Stories (Broadway) and The Loman Family Picnic; Charles Busch’s The Tale of the Allergist’s Wife (Broadway, national tour); Alan Ayckbourn’s Woman in Mind (Drama Desk nomination, Best Director) A Small Family Business (Broadway); David Greig’s The American Pilot; Ron Hutchinson’s Moonlight and Magnolias (MTC, Alliance Theatre); Leslie Ayvazian’s Nine Armenians (Drama ... read more His early career was spent performing in Off-Broadway productions, including Class Enemy in 1979, for which he won a Theater World Award for outstanding stage debut. His first major Broadway credit was the ill-fated Stephen Sondheim/Hal Prince/George Furth musical Merrily We Roll Along (1981), which underwent constant changes during an unusually long preview period and closed after only sixteen performances. His next show, the Athol Fugard play "Master Harold"...and the Boys - in which he portrayed a South African student opposite Danny Glover and Zakes Mokae as the family servants - ran for eight months. Possibly his most significant Off-Broadway stage credit ... read more