Every morning at the local diner in a small town, a waitress refills a regular’s coffee. An unlikely friendship develops and keeps him coming back for more. But when he asks for a shocking favor, it brings to light both of their deepest secrets. The Counter is a funny, surprising, and moving meditation on the everyday connections that can change our lives. After the success of Too Much, Too Much, Too Many and Napoli, Brooklyn, playwright Meghan Kennedy debuts her next Roundabout commission, The Counter. Directed by Tony Award® winner David Cromer (The Band’s Visit).
That’s a high quality group, and The Counter fits right in. Kennedy deals in secrets and grief and escape, in running away and starting again, and most crucially in standing in front of a suddenly opened door: You either stay inside, crushed by your habitual fear and unhappiness, or bravely walk through.
“The Counter” laudably aims for greater spareness than those earlier plays; its best sustained moments are almost wordless. In shaping them, Cromer displays his usual directorial nerve, creating tension from time. At other points, though, his patience, which in fuller works allows feeling to emerge naturally and purely, can’t stop the story from drooping into skimpiness.
2024 | Off-Broadway |
Roundabout Theatre Company Off-Broadway Premiere Production Off-Broadway |
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