Wolf Hall: Parts 1 & 2 are adapted by Mike Poulton from Hilary Mantel's double Man Booker Prize winning novels, Wolf Hall and Bring Up the Bodies (published Henry Holt in the U.S.). The plays are based on the deceit, betrayal, and intrigue of the court of Henry VIII. The production features a company of more than twenty actors, headed by Ben Miles as Thomas Cromwell, Lydia Leonard as Anne Boleyn, and Nathaniel Parker as King Henry VIII, all under the direction of Olivier Award nominee Jeremy Herrin, who makes his New York City directing debut. The Royal Shakespeare Company is appearing with the permission of Actors' Equity Association.
For starters, watching these two plays...is nothing like reading the novels. In the latter, Mantel creates a magnificent panorama of Henry's England, but she doesn't always bother to introduce her characters or let you know who's speaking some of the time. The plays, on the other hand, are '16th Century England for Dummies,' even for Americans who think Thomas and Oliver Cromwell are one and the same. While Poulton is brilliant at disguising tons of exposition as genuine dialogue, 'Wolf Hall' takes a good 90 minutes and one intermission to settle into what might be called a good drama. The swirl of characters and incidents is so intense that watching 'Wolf Hall' turns theatergoing into grandiose scorekeeping...That shift of power from the Henry to Cromwell is when 'Wolf Hall' genuinely begins to fascinate...Miles...maintains an implacable façade regardless of what he's thinking, and that Miles rivets our attention for six hours makes his performance a masterclass in minimalist acting.
The sheer number of actors parading across the stage (nearly two dozen) can be overwhelming, particularly when it seems half the characters are named Thomas. But Wolf Hall is remarkably efficient in streamlining the Mantel novels down to their most exciting essence, making the play's pace seem much swifter than six hours. The immensely talented actors manage to make every backroom deal, courtier spat and royal tantrum fully enjoyable.
2015 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | Drama Desk Awards | Outstanding Actor in a Play | Ben Miles |
2015 | Drama Desk Awards | Outstanding Costume Design | Christopher Oram |
2015 | Drama Desk Awards | Outstanding Director of a Play | Jeremy Herrin |
2015 | Drama Desk Awards | Outstanding Featured Actress in a Play | Lydia Leonard |
2015 | Drama Desk Awards | Outstanding Lighting Design | David Plater |
2015 | Drama Desk Awards | Outstanding Lighting Design | Paule Constable |
2015 | Drama League Awards | Distinguished Performance Award | Ben Miles |
2015 | Drama League Awards | Distinguished Performance Award | Nathaniel Parker |
2015 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Hilary Mantel |
2015 | Outer Critics Circle Awards | Outstanding Actor in a Play | Ben Miles |
2015 | Outer Critics Circle Awards | Outstanding Costume Design | Christopher Oram |
2015 | Outer Critics Circle Awards | Outstanding Director of a Play | Jeremy Herrin |
2015 | Outer Critics Circle Awards | Outstanding Featured Actor in a Play | Paul Jesson |
2015 | Outer Critics Circle Awards | Outstanding Featured Actor in a Play | Nathaniel Parker |
2015 | Outer Critics Circle Awards | Outstanding Featured Actress in a Play | Lydia Leonard |
2015 | Outer Critics Circle Awards | Outstanding New Broadway Play | Wolf Hall |
2015 | Tony Awards | Best Costume Design of a Play | Christopher Oram |
2015 | Tony Awards | Best Direction of a Play | Jeremy Herrin |
2015 | Tony Awards | Best Lighting Design of a Play | Paule Constable |
2015 | Tony Awards | Best Lighting Design of a Play | David Plater |
2015 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Nathaniel Parker |
2015 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Ben Miles |
2015 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Lydia Leonard |
2015 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Lydia Leonard |
2015 | Tony Awards | Best Play | The Shubert Organization |
2015 | Tony Awards | Best Play | Mike Poulton |
2015 | Tony Awards | Best Play | The Royal Shakespeare Company |
2015 | Tony Awards | Best Play | Will Trice |
2015 | Tony Awards | Best Play | Jessica Genick |
2015 | Tony Awards | Best Play | Georgia Gatti |
2015 | Tony Awards | Best Play | Gabrielle Palitz |
2015 | Tony Awards | Best Play | Triple Play Productions |
2015 | Tony Awards | Best Play | Kit Seidel |
2015 | Tony Awards | Best Play | Just for Laughs Theatricals |
2015 | Tony Awards | Best Play | Rebecca Gold |
2015 | Tony Awards | Best Play | Scott M. Delman |
2015 | Tony Awards | Best Play | Jane Bergere |
2015 | Tony Awards | Best Play | WLE MSG |
2015 | Tony Awards | Best Play | Tulchin Bartner Productions |
2015 | Tony Awards | Best Play | Kyodo Tokyo, Inc. |
2015 | Tony Awards | Best Play | Ron Kastner |
2015 | Tony Awards | Best Play | JAM Theatricals |
2015 | Tony Awards | Best Play | Carole Shorenstein Hays |
2015 | Tony Awards | Best Play | Playful Productions UK |
2015 | Tony Awards | Best Play | Nick Salmon |
2015 | Tony Awards | Best Play | Nia Janis |
2015 | Tony Awards | Best Play | Matthew Byam Shaw |
2015 | Tony Awards | Best Play | Jerry Frankel |
2015 | Tony Awards | Best Play | Jeffrey Richards |
2015 | Tony Awards | Best Play | Hilary Mantel |
2015 | Tony Awards | Best Scenic Design of a Play | Christopher Oram |
Videos