Experimental drama at its best. See what happens with no rehearsal, no director, a different actor each night and a script waiting in a sealed envelope on the stage.
Each night a completely new adventure awaits - depending on how and where the actor takes the piece. Internationally acclaimed “White Rabbit Red Rabbit”, by Iranian writer Nassim Soleimanpour, is a theatrical absurdist adventure that sits right on the edge of comedy and tragedy. An edge of your seat experience with some of the most celebrated international talent, you don’t want to miss this theatrical event of the year at the stunning Soho Place.
Reviewers are also requested to keep the secrets of White Rabbit Red Rabbit. But what I can say is that it deals in themes of oppression, identity and what it means to be free. Animal metaphors are used as the foundation of the story; they are poignant but also bewildering, which is part of Soleimanpour’s plan. Like the actor each evening, the audience also has to experience the theatrical unknown.
On press night, the text was interpreted by Nick Mohammed – perhaps best known under his uproariously funny, utterly obnoxious comic alter ego Mr Swallow. Though that character is overbearing and egotistical, here Mohammed displays striking generosity, dropping in just a few judicious comic pauses and nervous, sidelong looks to heighten the humour without ever disrespecting the play’s conceit or drawing focus from Soleimanpour’s text.
2016 | Off-Broadway |
New York Premiere Production Off-Broadway |
2024 | West End |
West End |
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