A dying woman calls her grandson and asks him to write a play about their family. “But I want you to promise me something,” she says. “Make it as bitter and vitriolic as possible." In this searing, funny and deeply personal play, the author of last season's Prayer for the French Republic recreates thirty years of family fights, monstrous behavior, enormous cruelty, and enduring love.
For all its affectionately nostalgic, piquant details, however, the play never quite coheres dramatically. Its episodic, non-linear structure frequently proves confusing, and such tangents as an account of Renee’s solo trip to Paris when she was 35 feel like minor anecdotes barely explored. For every powerful moment— as when Ellen informs us that she had told her mother that if she ever drank in front of her grandson, she would never be able to see him again — there are more that feel like filler.
Too much of We Had A World is taken up with plaintive anecdotes and petty squabbles. Some of these are amusing. Some exhibit a refreshing self-awareness, such as the time when Josh in college was irrationally ranting against his mother for having bought him a mirror when she noticed the one in his dorm was broken. But the scenes play out over three decades (more in a hodgepodge than with a clear chronology), and start to feel not exactly redundant, but static.
2025 | Off-Broadway |
MTC Off-Broadway Premiere Off-Broadway |
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