War Paint tells the remarkable story of cosmetics titans Helena Rubinstein (Patti LuPone) and Elizabeth Arden (Christine Ebersole), who defined beauty standards for the first half of the 20th Century.
Brilliant innovators with humble roots, both women were masters of self-invention who sacrificed everything to become the country's first major female entrepreneurs. They were also fierce competitors, whose 50-year tug-of-war would give birth to an industry that would forever change the face of America. From Fifth Avenue society to the halls of Congress, their intense rivalry was ruthless, relentless and legendary- pushing both women to build international empires in a world dominated by men.
The musical is an admiring feminist salute to two trailblazing entrepreneurs - the first women to head American corporations that bore their names - whose success was fueled in part by their rivalry. It would seem perfectly timed to follow FX's juicy Feud, though War Paint is more notable for the distanced sparring of its glambitious animus. Despite the bellicose title, this is no wig-pulling, lipstick-smearing catfight. There's delicious bitchery and barbs aplenty, but the more indelible takeaway is the poignancy of all that these women had in common.
So, though my eyes occasionally glazed seeing 'War Paint' for the second time, I wouldn't have missed it, if only to hear its leading ladies' climactic ballads. Ms. LuPone has an ardently sung tribute to the preservative powers of narcissism, during which a gallery of Rubinstein's portraits by famous artists materializes behind her. And in the show's most exquisite number, Arden takes inventory of an existence lived in a pale shade of rose. The song is called 'Pink,' and as Ms. Ebersole delivers that seemingly cheery word, it is weighted with triumph, regret, defiance and anger, all struggling for ascendancy. It's a reminder of how a single ballad, and a lone interpreter, can capture the full, ambivalent spectrum of a lifetime.
2016 | Chicago |
Goodman Theatre World Premiere Production Chicago |
2017 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2017 | Drama Desk Awards | Outstanding Actress in a Musical | Christine Ebersole |
2017 | Drama Desk Awards | Outstanding Actress in a Musical | Patti LuPone |
2017 | Drama Desk Awards | Outstanding Costume Design for a Musical | Catherine Zuber |
2017 | Drama Desk Awards | Outstanding Lyrics | Michael Korie |
2017 | Drama Desk Awards | Outstanding Orchestrations | Bruce Coughlin |
2017 | Drama Desk Awards | Outstanding Sound Design in a Musical | Brian Ronan |
2017 | Drama Desk Awards | Outstanding Wig and Hair | David Brian Brown |
2017 | Drama League Awards | Outstanding Production of a Broadway of Off-Broadway Musical | War Paint |
2017 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Christine Ebersole |
2017 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Patti LuPone |
2017 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Catherine Zuber |
2017 | Outer Critics Circle Awards | Outstanding Lighting Design (Play or Musical) | Kenneth Posner |
2017 | Tony Awards | Best Costume Design of a Musical | Catherine Zuber |
2017 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Christine Ebersole |
2017 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Patti LuPone |
2017 | Tony Awards | Best Scenic Design of a Musical | David Korins |
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