Meet Jenna, a waitress and expert pie-maker who dreams of a way out of her small town and rocky marriage. Pouring her heart into her pies, she crafts desserts that mirror her topsy-turvy life such as "The Key (Lime) to Happiness Pie" and "Betrayed By My Eggs Pie." When a baking contest in a nearby county - and a satisfying encounter with someone new - shows Jenna a chance at a fresh start, she must find the courage to seize it. Change is on the menu, as long as Jenna can write her own perfectly personal recipe for happiness.
Brought to life by a groundbreaking, all-female creative team, this Tony Award-nominated hit features original music and lyrics by 6-time Grammy nominee Sara Bareilles ("Love Song," "Brave"), a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award winner Diane Paulus (Pippin, Finding Neverland).
"Waitress is a little slice of heaven!" says Entertainment Weekly, and is "sweet, sassy and passionate," according to New York Magazine. Don't miss this uplifting and hilarious musical.
The show's great, unintended irony is that her opportunity for success comes not from her resolve or ambition or even, really, her talent with pastry. It's because she was a friendly waitress, and her good nature was financially rewarded by a satisfied, wealthy, male customer.
The third item in Sara Bareilles' score is what might be Broadway's first song about an e.p.t.; that is, an early pregnancy test. This suggests, early on, that this new musical-with score, book, direction and choreography by a quartet of women-is going to offer a somewhat different take on things. Which wouldn't matter if the results were subpar; but they are above-par, considerably so. The key statement is not that Waitress is a musical from a team of women, but that Waitress is a good musical from a creative team who happen to be women. (Jeanine Tesori and Lisa Kron's Fun Home-with one of Broadway's finest scores of the last quarter century-has already established the fact that gender has nothing to do with musical theatre excellence.)
2015 | Boston |
American Repertory Theater World Premiere Production Boston |
2016 | Broadway |
Original Broadway Production Broadway |
2017 | US Tour |
First National Tour US Tour |
2019 | West End |
Original West End Production West End |
2021 | Broadway |
Broadway Revival Broadway |
2021 | US Tour |
US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama Desk Awards | Outstanding Actress in a Musical | Jessie Mueller |
2016 | Drama Desk Awards | Outstanding Book of a Musical | Jessie Nelson |
2016 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Christopher Fitzgerald |
2016 | Drama Desk Awards | Outstanding Lyrics | Sara Bareilles |
2016 | Drama Desk Awards | Outstanding Music | Sara Bareilles |
2016 | Drama Desk Awards | Outstanding Musical | Waitress |
2016 | Drama League Awards | Distinguished Performance Award | Jessie Meuller |
2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Waitress |
2016 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Jessie Mueller |
2016 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Christopher Fitzgerald |
2016 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Waitress |
2016 | Outer Critics Circle Awards | Outstanding New Score (Broadway or off-Broadway) | Sara Bareilles |
2016 | Tony Awards | Best Musical | Waitress |
2016 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Christopher Fitzgerald |
2016 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Jessie Mueller |
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