The book follows the experiences of a young boy and his grandmother who live in a world plagued by evil, child-hating witches.
If the script channels Dahl’s linguistic agility and imagination, it cleans up his darkness. The witches are more comical than abominable and there is a lo-fi cutesiness to the children’s transformations into inanimate objects (they pop sweetly out of boxes in cardboard costumes). The biggest fright comes when a phone rings in the auditorium and the High Witch loses it.
Lucy Kirkwood (book and lyrics) and Dave Malloy (music and lyrics) make a remarkable duo with huge wit and warmth, capturing the magic of Dahl's writing, without dumbing down the darkness. One slightly unwelcome theme is the repetition of certain words or phrases at the end of many of the songs; over and over again. The length, at nearly three hours including interval, may be a bit of a stretch for younger audience members and a few sections of the second half meander a little. However, most of the production whips by in a stream of pure entertainment. Inevitable comparisons will be made with the juggernaut that is Matilda The Musical. While this show is not quite at that point, it is certainly snapping at Matilda's heels.
2023 | West End |
National Theatre Musical Premiere Production West End |
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