A powerfully poignant and often hilarious play, The Waverly Gallery is about the final years of a generous, chatty, and feisty grandmother's final battle against Alzheimer's disease. Gladys is an old-school lefty and social activist and longtime owner of a small art gallery in Greenwich Village. The play explores her fight to retain her independence and the subsequent effect of her decline on her family, especially her grandson. More than a memory play, The Waverly Gallery captures the humor and strength of a family in the face of crisis.
The drama here (the play was a Pulitzer finalist when first produced in 2000) gets its strength from the fine performances and from the horrific reality of a situation far too many of us know well. Like so many who've been there, this family is crippled by the lack of acceptable options for their loved one. Acting as narrator, as he's done throughout, Daniel suggests that loving each other so much means you have to keep trying, even if you know you won't prevail. 'It makes you think,' he concludes, 'it must be worth a lot to be alive.' Well said.
Opening tonight at the Golden Theatre, sensitively directed by Lila Neugebauer, Waverly Gallery - a Pulitzer Prize finalist in 2001 only now making its long-in-coming Broadway debut - is an unsparing visit with a family in extremis. Performed by that first-rate cast - add David Cromer to the list - Lonergan's play, at once loving and unsentimental, gives attention to that long, inevitable passage in a family's life when the old slip away.
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