The Museum Club at The Wick to Open with Gala Performance by Christine Andreas This Week
by Blair Ingenthron - Sep 11, 2022
The Wick Costume Museum has undergone a dramatic high-tech transformation, resulting in a stunning new venue, rechristened The Museum Club at The Wick. The completely renovated space will feature immersive video experiences, historic costume displays, dining, and entertainment. The Gala Grand Opening is Friday, September 16, and includes an intimate concert by Christine Andreas.
Nancy Opel-Led CURVY WIDOW Rounds Out Cast at George Street Playhouse
by BWW News Desk - Apr 6, 2017
George Street Playhouse has announced full casting for Curvy Widow, starring Broadway's Nancy Opel (GSP's The Toxic Avenger, Broadway's Honeymoon in Vegas). The sassy musical comedy will not only close out GSP's 2016-17 season, but also mark the final show performed in the Playhouse's current building. Curvy Widow runs May 2-21, 2017, with opening night scheduled for May 5th, 2017.
Terrence Mann Spends Summer at Connecticut Rep; Directs PIRATES OF PENZANCE in July
by BWW News Desk - Jun 16, 2012
According to The Day, Broadway star Terrence Mann has returned to the University of Connecticut's Connecticut Repertory Theater to participate in its Nutmeg Summer Series. He ends his run as the lead in CRT's Man of La Mancha today, June 16, and is set to direct the theatre's The Pirates of Penzance in July.
THE FIREBRAND OF FLORENCE Begins 3/12
by BWW News Desk - Mar 12, 2009
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
THE FIREBRAND OF FLORENCE Begins 3/12
by Gabrielle Sierra - Jan 26, 2009
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.