Late at night, deep in the woods of southern Illinois, a ghost tells Gail she will die within the next 24 hours. So begins The Refuge Plays, an epic tale that follows one Black family over 70 years. Written by Nathan Alan Davis, this bold reimagining of an American “family play” is full of humor, heart and surprises. Patricia McGregor directs.
In an attempt to imagine alternative ways of being, the playwright has smashed existing artistic forms and created new ones along the way. The result is provocative but messy: While the three acts interlock, they don’t propel each other forward, and Davis’s surfeit of ideas ultimately comes at the expense of a dramatic throughline. But cumbersome as it is, “The Refuge Plays” suggests the potential for stories to exceed the world’s limitations. Ellison would have to agree.
In The Refuge Plays, Nathan Alan Davis has put together a three-part drama full of engaging small gestures that fail to add up. The drama is Davis’s follow-up after arriving in New York in 2016 with Nat Turner in Jerusalem, and it’s admirably ambitious; this production directed by Patricia McGregor runs three hours and 29 minutes. That’s not nearly as long as some epics, but certainly longer than your average nonprofit subscription theater program (The Refuge Plays is a co-production from New York Theatre Workshop and the Roundabout), especially at a time when most are cutting back. It’s got an intriguing hook: The trilogy begins more or less in the present with a Black family in a house hidden in the woods of Southern Illinois and then steps back one generation with each installment. But as it telescopes into the past, the series falls short of coherence, wandering away from itself and losing the audience.
2023 | Off-Broadway |
Roundabout Theatre Company Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Distinguished Performance | Nicole Ari Parker |
2024 | The Lortels | Outstanding Lead Performer in a Play | Nicole Ari Parker |
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