The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced: [ma.Êa.sad]), is a 1963 play by Peter Weiss. The work was first published in German.
Incorporating dramatic elements characteristic of both Artaud and Brecht, it is a bloody and unrelenting depiction of class struggle and human suffering which asks whether true revolution comes from changing society or changing oneself.
1965 | Broadway |
Broadway Production Broadway |
1967 | Broadway |
Broadway Revival Broadway |
1970 | Regional (US) |
Regional Revival Regional (US) |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1996 | The Pulitzer Prize | The Pulitzer Prize for Drama | Jonathan Larson |
1966 | Tony Awards | Best Costume Design | Gunilla Palmstierna-Weiss |
1966 | Tony Awards | Best Direction of a Play | Peter Brook |
1966 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Patrick Magee |
1966 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Glenda Jackson |
1966 | Tony Awards | Best Play | Peter Weiss |
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