The Jonathan Larson Project is a world-premiere musical that celebrates the dozens of unheard songs, unfinished and unproduced musicals, and pop songs found in files and boxes when the visionary writer of RENT died suddenly at the age of 35 in 1996. Conceived by Jennifer Ashley Tepper and directed by John Simpkins, The Jonathan Larson Project features more than 20 undiscovered songs by the Pulitzer and Tony Award-winning writer. The treasure trove of songs includes work from unproduced shows including 1984 and Superbia, songs that were cut from RENT and tick, tick…BOOM!, songs written for theatrical revues and for the radio, and most importantly, songs never publicly performed or recorded before The Jonathan Larson Project. Jonathan’s voice reaches through time to inspire audiences as The Jonathan Larson Project brings to the stage the extraordinary unheard songs of the writer who revolutionized Broadway. From presidential elections to environmental activism to creating and connecting despite every obstacle, Jonathan’s songs speak to our present time with stunning resonance. At the same time, they reflect the journey of an unknown young artist, struggling against rejection, making ends meet as a waiter in a diner, and finding his voice... which he has no idea will someday lead to triumph and enduring fame, tragically after he’s gone. The Jonathan Larson Project is a thrilling undiscovered treasure trove full of theatre history that is also a world-premiere musical filled with songs you will never forget.
The aim, in focusing on Larson’s offcuts, may be to deepen your understanding of the composer, though Tepper and Simpkins don’t veer far out of the realm of fandom. You’ll find an insert in your program with the names and short histories of the 18 songs that Tepper and Simpkins have assembled into The Jonathan Larson Project. But the show itself goes by without much of a lesson plan from the stage, flowing between songs without introduction or editorializing. I kept peering down in the dark trying to work out the origin of each song as it was performed. That structure maintains some momentum, though it puts the show’s aims in opposition. Are we here to learn more about Larson or simply to laud him? (The latter, mostly.)
The joy of the piece lies in discovering Larson’s most bizarre and ambitious works-in-progress. Project packs its middle section with surreal, unapologetically political tunes about sexism, wealth-hoarding and white male privilege. This portion of the show is demanding, no doubt. And certainly some of Larson’s lyrics are heavy-handed—you can probably guess the takeaway of ‘White Male World’ and ‘The Truth Is A Lie’ before hearing them. But when the tunes are such absolute bangers, so what?
| 2025 | Off-Broadway |
Off-Broadway Premiere Off-Broadway |
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