*This house. It’s called ‘Sea View’. It’s just I’ve looked out of every window, and you can’t. You can’t see the sea.*
Blackpool, 1976. The driest summer in 200 years. The beaches are packed. The hotels are heaving. In the sweltering backstreets, far from the choc ices and donkey rides, the Webb Sisters are returning to their mother's run-down guest house, as she lies dying upstairs.
Following their multi award-winning triumph *The Ferryman*, Jez Butterworth, writer of *Jerusalem*, resumes his partnership with Sam Mendes, director of *The Lehman Trilogy*, to bring you The Hills of California.
__*The Hills of California* plays at Harold Pinter Theatre from 27 January 2024 for a strictly limited season.__
One of the most ingenious parts of Butterworth’s scripting is his ability to say more in the silences – and in what the characters fail to say – than in their actual conversations. There is a brief pause in the second act, which cleverly allows the audience a chance to digest what they have seen only moments before. A huge revelation explains why the Webb family has become so fractured, and the pregnant silence that follows is chilling.
For most theatre-goers, Jez Butterworth’s work will always live in the shadow of Jerusalem. The Hills of California is no exception, which is a shame as it is close to greatness. It is thought-provoking, heartbreaking and multi-layered, but it could be exceptional.
2024 | West End |
West End |
2024 | Broadway |
Original Broadway Production Broadway |
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