Review: SARA SHEPERD: PLEASE COME HOME FOR CHRISTMAS at The Blue Strawberry Showroom And Lounge
by James Lindhorst - Dec 14, 2025
Watching Broadway’s Sara Sheperd perform her holiday themed cabaret, Please Come Home for Christmas, is akin to sitting in front of a cozy fire with a mug of hot cocoa. Sheperd, and her piano playing father Scott, shared more than a dozen of her favorite holiday songs peppered with a few seasonally appropriate Broadway tunes. From her opening number “Let it Snow” to her final song “It’s Beginning to Look a Lot Like Christmas,” Sara Sheperd gifted the audience with a lovely evening of perfectly pitched and precisely phrased vocals. Her audience left the club feeling the spirit of the season and grateful that the humble Sheperd shared her talent again in St. Louis.
Review: WHAT THE DICKENS at TheatreWorks New Milford
by Jared Reynolds - Dec 14, 2025
If I had a nickel for every time that I’ve reviewed the same show, I’d have 2 nickels. Which isn’t a lot, but I’m surprised that it took so long in my reviewing history to happen. It shouldn’t be a surprise, however, that in both cases, they are to review Christmas productions. For the first time since 2021, I’ve been treated with attending TheatreWorks New Milford’s production of Matt Austin’s, What the Dickens. Can we officially call this a Christmas Classic?
Review: BODYTRAFFIC: CHECK-MATE Dazzled at The Wallis
by Shari Barrett - Dec 14, 2025
The four pieces performed during BODYTRAFFIC: Check-Mate highlighted the dance company’s technical prowess and ability to masterfully embody diverse choreography styles via their dazzling versatility.
Interview: Kabir Gandhi of ELF THE MUSICAL at The Fox Theatre
by Joseph Harrison - Dec 12, 2025
The national tour of ELF THE MUSICAL is preparing to bring holiday cheer to Atlanta’s Fox Theatre December 16 - 21 as part of the 2025/2026 Regions Bank Broadway in Atlanta season. To learn more about this special holiday treat, I caught up with Kabir Gandhi, a Duluth native and member of the ensemble, to talk about his journey from Georgia to the stage, the magic of ELF, and what it means to perform for his hometown crowd.
Photos: A CHRISTMAS CAROL At Lesher Center For The Arts
by A.A. Cristi - Dec 12, 2025
Photos have been released from the West Coast premiere of A CHRISTMAS CAROL at the Lesher Center for the Arts in Walnut Creek. The production features a new adaptation by Harrison David Rivers and is directed by Jared Mezzocchi in association with AXIS Dance Company.
Paul W. Zuccaire Gallery Marks 50th Anniversary At Staller Center For The Arts
by A.A. Cristi - Dec 12, 2025
The Paul W. Zuccaire Gallery at Stony Brook University is celebrating its 50th anniversary with a visual retrospective highlighting past exhibitions and artists. The project reflects the Gallery’s history of presenting work by leading contemporary artists alongside student and faculty exhibitions.
Review: ELF at The 5th Avenue Theatre
by Shelley Dean - Dec 12, 2025
The movie Elf is one of those films that sticks with you throughout your life; you remember the spaghetti, the syrup, and the unrivaled holiday cheer from the unique story. It’s only natural that a story full of this much nostalgia takes on a new life that honors its legacy. Enter Elf: The Musical. All of the magic of the original movie is packed into a stage show with dancing Santas, larger-than-life Christmas trees, and onstage skating that makes you want to join the fun. Seattle has been gifted its very own production this holiday season at the 5th Avenue Theatre. Elf: The Musical, directed and choreographed by Denis Jones, is now running downtown.
A CHRISTMAS TRADITION to Run at The Strand This Holiday Season
by Chloe Rabinowitz - Dec 12, 2025
The Earl and Rachel Smith Strand Theatre will present the return of the beloved festive favorite, A Christmas Tradition. Set to delight the senses, this high-energy spectacle is designed to evoke the warmth and spirit of the holidays.
Review: MOZART’S THE MAGIC FLUTE at The Metropolitan Opera
by Gabby Ziccarelli - Dec 12, 2025
As the houselights dim at the Metropolitan Opera, the Julie Taymor–directed The Magic Flute transports viewers into a buoyant and kaleidoscopic fairy-tale dreamworld. This abridged, English-language production is a visually sumptuous version of Mozart's singspiel bathed in bold primary colors, shaped by ingenious Masonic-inspired geometric staging, and animated by exquisite puppetry.