Tony Award-winning playwright Itamar Moses returns to The Public with the world premiere of THE ALLY. When Asaf (Josh Radnor) is asked to sign a social justice manifesto, he expects to be able to do so without hesitation. Instead, he becomes embroiled in an increasingly conflicted web of relationships that challenge his commitments as a liberal, a husband, an academic, an American, an atheist, and a Jew. With tensions at an all-time high, Asaf is forced to confront the age-old question: “If I am only for myself, what am I?” Directed by Drama Desk Award winner Lila Neugebauer, THE ALLY is a passionate, provocative, and unflinching new play about the vanishing line between the personal and the political.
Which is not to say that “The Ally” is artless. Quite the opposite, it is almost too artful, arraying its eloquent arguments in clever pairs of impossible contradiction. If only frustration and hopelessness were feelings worth intensifying, it would win a prize for its form-follows-function design. But I felt the need for more wisdom than craft.
The characters ponder the political interconnectedness of these heavy topics – police brutality, Israel and Palestine, gentrification in college towns, Jewish identity – but never does Moses take a step back to consider the dramatic interconnectedness or lack of it. These concepts are connected, as Baron learns over the course of one scene, but they are packed into the script with no breathing room, preventing the characters from authentic self-reflection (and the actors from a moment’s rest). Everyone is passionate, but no one is sincere.
2024 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Play | Itamar Moses |
2024 | The Lortels | Outstanding Lead Performer in a Play | Josh Radnor |
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