One of Broadway's greatest productions returns! Alan Cumming ("The Good Wife," Roundabout's The Threepenny Opera) reprises his Tony-winning performance as the Emcee in Sam Mendes (Skyfall, American Beauty) and Rob Marshall's (Nine and Chicago, the films) Tony-winning production of Cabaret. Three-time Academy Award nominee Michelle Williams (My Week with Marilyn, Brokeback Mountain) also stars, making her Broadway debut as Sally Bowles, alongside Tony nominees Danny Burstein (Follies, South Pacific) and Linda Emond (Death of a Salesman, Life (x) 3). Right this way, your table's waiting at Cabaret, John Kander, Fred Ebb and Joe Masteroff's Tony-winning musical about following your heart while the world loses its way.
Starting November 11, the Kit Kat Klub welcomes Golden Globe nominee Emma Stone (Easy A, The Help), making her Broadway debut as Sally Bowles for a limited time only.
Alan Cumming must have sold his soul to the devil to acquire his divinely debauched persona as the Emcee of the Kit Kat Klub in 'Cabaret.' It seemed nuts, but proved shrewd of Sam Mendes and Rob Marshall to retool their dazzling 1998 revival of the Kander and Ebb masterpiece, fit Cumming with a new trenchcoat for his triumphant return, and bring the decadent netherworld of 1920s Berlin back to Studio 54, the revival's ideal venue. Inspiration flagged, however, in casting Michelle Williams, so soft and vulnerable in 'My Week With Marilyn,' as wild and reckless party girl Sally Bowles.
The 1998 production was staged in the same venue, Studio 54, and starred Jennifer Jason Leigh as Sally Bowles, which she played with spiky, unpredictable abandon. Michelle Williams is a very different kind of actor, in this instance gauche, touching, unsure of herself in a way that seems as true to the idea of Sally Bowles as more robust approaches...As was the case the first time round, the show is Alan Cumming's and his MC has to be one of the great stage performances of all time. It's so rare to get a second shot at seeing something this good, you should do anything you can to get a ticket. Where Joel Grey, in the movie version, was impish and sinister, Cumming is brutish, jack-booted, playing the part with a yobbish licentiousness that highlights just how close the satirist and the satirised come to looking to each other in the end. It's a hard thing to be saucy and menacing at the same time, but Cumming pulls it off.
1966 | Broadway |
Original Broadway Production Broadway |
1967 | US Tour |
National Tour US Tour |
1968 | West End |
London Production West End |
1982 | Regional (US) |
Regional Revival Regional (US) |
1986 | West End |
London Revival West End |
1987 | Broadway |
Broadway Revival Broadway |
1993 | West End |
Donmar Warehouse Revival West End |
1998 | Broadway |
Roundabout Revival Broadway |
2006 | West End |
London Revival West End |
2008 | UK Tour |
National Tour UK Tour |
2012 | West End |
West End Revival Production West End |
2014 | Broadway |
Roundabout Revival Broadway |
2016 | US Tour |
2016 National Tour US Tour |
2021 | West End |
London Production West End |
2024 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Danny Burstein |
2014 | Drama League Awards | Distinguished Performance Award | Alan Cumming |
2014 | Drama League Awards | Distinguished Performance Award | Michelle Williams |
2014 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Michelle Williams |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Danny Burstein |
2014 | Outer Critics Circle Awards | Outstanding Revival of a Musical (Broadway or Off-Broadway) | Cabaret |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Danny Burstein |
2014 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Linda Emond |
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