Stalker is an innovative 90-minute magic show by the Swedish duo Peter Brynolf and Jonas Ljung, directed by Eurovision mastermind Edward Af Sillén. Get ready for fast-paced entertainment combining street magic, physical mentalism, and social hacking — with a climactic plot twist that you’ll never see coming. In today’s society, no one is hidden. Everyone is being stalked, and everyone has become a stalker.
Follow Brynolf & Ljung. They’re already following you.
It’s a strangely icy magic show, with none of the goth vibes of a Chris Angel or the whimsy of Penn and Teller. While framing a show around the lack of privacy in the modern age is compelling, Stalker emerges as muddled, split between wanting to demystify magic and still leave audiences in awe of it.
Written by the performers with Edward af Sillén, who also directs, “Stalker” returns to that fellow in the audience with a copy of his chosen image inside a sealed envelope for its finale. And, remarkably, after the big reveal, the pair proceed—as Penn & Teller have sometimes done—to demonstrate precisely how they had (mentally) coerced their subject into choosing the image he did, pulling back the proverbial curtain in a manner that all but breaks the unofficial Code of the Magicians, I would assume. But given the many wonder-inducing moments that have come before, I doubt they need worry about having their union cards confiscated.
2024 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
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