Review: POTUS at The Contemporary
by Greer Firestone - Mar 10, 2026
Producing a play called POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive in today’s political climate takes nerve. Aisle Say applauds Kerry Kristine McElone and the Board of City Theatre for having exactly that kind of chutzpah. Mounting this razor-edged farce at a moment when American politics already feels like theater—often absurd theater—is both daring and deliciously appropriate.
BLUE MIST Will Embark on UK Tour
by Stephi Wild - Mar 10, 2026
After premiering at the Royal Court Theatre, the Olivier Award-nominated Blue Mist will embark on a National tour this June and July. Learn more about the upcoming show here!
Jihea Kim Builds Global Demand as Elite PMU Artist
by Team BWW - Mar 4, 2026
The permanent makeup industry often rewards speed, visibility, and dramatic visual trends. Many artists gain attention through marketing tactics or viral aesthetics. In contrast, Jihea Kim has built a reputation based on refined results, long-term client trust, and disciplined technical skill. As a result, the internationally recognized permanent makeup artist now has a clientele stretching far beyond Korea.
Spring Cast Set For NEWSREVUE at Canal Café Theatre
by Stephi Wild - Mar 4, 2026
The cast has been announced for NewsRevue at Canal Café Theatre. The Guinness World Record–breaking, longest-running live comedy show in the world continues to delight audiences.
Student Blog: A Theatre Kid’s Guide to Surviving Chronic Busyness
by Student Blogger: Grace Ward - Mar 1, 2026
In this blog, I reflect on what it means to stay motivated once the excitement of the new year fades and the semester gets overwhelming. I share how I’ve navigated burnout, and the pressure to always be busy while balancing performances.
SWEENEY TODD Comes to Four County Players In March
by Stephi Wild - Feb 25, 2026
As the next production of their 53rd Season in Barboursville, Four County Players will present SWEENEY TODD: The Demon Barber of Fleet Street, A Musical Thriller, opening March 6 on the Mainstage.
Review: HERE AND NOW, Edinburgh Playhouse
by Natalie O'Donoghue - Feb 25, 2026
It’s Friday night and the vibe is right as Caz and her fabulous friends dream of the perfect summer of love. But when Caz discovers her ‘happy ever after’ is a lie, and the gang’s attempts at romance are a total tragedy, they wonder – will love ever get a hold on their hearts? Or should they all just take a chance on a happy ending…
Charlotte Symphony Unveils 2026-27 Season Lineup
by A.A. Cristi - Feb 24, 2026
The Charlotte Symphony Orchestra has announced its 95th season, Music Director Kwamé Ryan's third at the artistic helm, centered on a season-spanning artistic exploration of resilience.
Previews: JULIUS CAESAR at The Studio@620
by Deborah Bostock-Kelley - Feb 24, 2026
An all‑women Julius Caesar arrives at The Studio@620, reimagining Shakespeare’s political thriller inside the modern corporate world. Adapted by Roxanne Fay and directed by Kristin Clippard, the production examines how ambition, persuasion, and fear shape the pursuit of power when women step into roles historically-written for men. With a cast of leading Tampa Bay artists interrogating the language and emotional stakes of the play, this contemporary staging brings renewed urgency to questions of leadership, loyalty, and the ease with which public opinion can be swayed.
Review: THE BARBER OF SEVILLE BY ROSSINI at San Diego Civic Center Theater
by Ron Bierman - Feb 20, 2026
Rossini’s Barber of Seville is a top ten opera in performances. Donors love it for its vocal gymnastics, memorable arias and sparkling melodies. Receptive newcomers like it because of its delightful bubbling overture, the familiar Figaro aria that soon follows, and its simple fast-moving sitcom-like plot.
Review: GIPSY KINGS FEATURING NICOLAS REYES at Van Wezel
by Shanti - Feb 19, 2026
The opening act was the breakout group without Nicolas Reyes, a classic Gipsy Kings move, warming up the room with the raw power of the ensemble before the legend himself emerged. It also gave notice of the incredible talent of a young soloist.
BWW Q&A: Kathryn Erbe Talks THE DANCE OF DEATH at Steppenwolf Theatre Company
by Joshua Wright - Feb 18, 2026
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 50th Anniversary Season with August Strindberg’s master class in marital warfare The Dance of Death, adapted by Conor McPherson, directed by ensemble member Yasen Peyankov and featuring an all ensemble cast.
Review: GISELLE, Royal Ballet And Opera
by Matthew Paluch - Feb 16, 2026
Giselle is a difficult ballet to get right. The balance between the “reality” of Act 1 and the Gothic otherworldlyness of Act 2 can be extremely hard to find, and the responsibility falls on all those involved.