Winter, 1985. 75-year-old Meryl ditches ice-cold Milwaukee for sunny Los Angeles, hell-bent on becoming a movie star. She’s got big dreams, a little money, and a whole lot of nerve. But will the world ever know her for who she really is? Starring two-time Academy Award® winner Dianne Wiest as Meryl, and directed by Tony Award® -winning director Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812), John J. Caswell, Jr.’s (Wet Brain; Vineyard’s Paula Vogel Playwriting Award) Scene Partners is a wildly theatrical, hilarious and genre-twisting gallop through the experience of a woman reborn.
Perhaps making sense of it all would be easier if the lead’s performance felt more grounded. Wiest is a legend, and there are glimmers of what makes her such, moments where the desperation to find a stable self amid the chaos feels real. But too often, she exhibits no strong persona for Scene Partners to destabilize. Tony Award-winning director Rachel Chavkin similarly cannot find an aesthetic throughline for the show, even with an overly generous helping of David Bengali’s projections.
Caswell and all involved parties have created work of which they should be proud; it’s not often an audience is held in such puzzlement without resulting in exhaustion, animosity or, worse, derision. Scene Partners is far from perfect—if judged totally by its many aims, perhaps a failure—but creates in us what its title promises: a messy, vibrant thing against which we can toss back our own idiosyncrasies.
2023 | Off-Broadway |
Vineyard Theatre Off-Broadway Premiere Production Off-Broadway |
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