Pulitzer Prize-winning playwright Suzan-Lori Parks, the author of last season’s The Harder They Come, returns to her artistic home with an edgy dramedy that celebrates the craft of theater while taking a hard look at history.
The off-off-off-Broadway theater troupe Good Company is putting on a play about Sally Hemings and Thomas Jefferson. Writer Luce is cast as Sally; her romantic partner, and the play’s director, Mike, is cast as Tom—really, people, what could possibly go wrong?
Ms. Parks knows what you’re thinking: Oy, another play (it could just as well be a movie, or a book) reducing a dead white man who did undeniably great things to his worst transgressions and judging him by standards vastly different than our current ones. “Sally & Tom” acknowledges this dilemma, openly and cleverly, by studying its central duo in a transparently modern context, thus allowing its playwright to nod to — and even have fun with — contemporary mores and hangups without letting historical demons off the hook.
Parks manages to locate touch points between the 18th and 21st centuries in ways that audiences should find provocative and even thrilling. Gently chiding TJ for hiding his intentions, Sally reminds him, “We build our castle on a foundation of your promises.” Well, isn’t that the foundation of the nation? The structure Jefferson et al so hopefully wrought has lived up to its potential for few if any of its citizens, just as Mike and Luce are far from firmly establishing their personal and professional relationship as a Good Company. The promise of full freedom is always just out of reach, yet the attempt to shape our reality to the ideal must be never-ending. We hold that truth to be self-evident.
2024 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Costume Design of a Play | Rodrigo Muñoz |
2024 | Drama Desk Awards | Outstanding Wig and Hair | J. Jared Janas |
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