Pulitzer Prize-winning playwright Suzan-Lori Parks, the author of last season’s The Harder They Come, returns to her artistic home with an edgy dramedy that celebrates the craft of theater while taking a hard look at history.
The off-off-off-Broadway theater troupe Good Company is putting on a play about Sally Hemings and Thomas Jefferson. Writer Luce is cast as Sally; her romantic partner, and the play’s director, Mike, is cast as Tom—really, people, what could possibly go wrong?
The eight members of the cast give their most absorbing performances as the 18th century characters. Rodrigo Muñoz’s authentic-looking costumes – surely better than Good Company could afford – help make the scenes at Monticello feel you-are-there real, not a rehearsal. The performers’ many interactions as the present-day members of the troupe (too minor to be considered full-fledged subplots) are less interesting as a whole.
Sally & Tom—now at the Public under the direction of Steve H. Broadnax III after its premiere at the Guthrie Theater in the fall of 2022—is as concerned as Parks has ever been with bones and graves. But this time, there’s a good deal of padding to cushion our drop into the pit — too much padding, perhaps. It’s not just the damask and lace of Rodrigo Muñoz’s late-18th-century costumes, or the well-mannered minuets and sprightly fiddle tunes that score much of the piece (Parks also co-composed the music with Dan Moses Schreier): There’s something soft about the play, a little ingenuous and underbrewed. I kept waiting for the turn, the slap in the face.
2024 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Costume Design of a Play | Rodrigo Muñoz |
2024 | Drama Desk Awards | Outstanding Wig and Hair | J. Jared Janas |
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