Step into the world of SCISSORHANDZ – a radical, raucous, joyful yet touching musical parody tribute to the ultimate outsider – produced by the iconic Michelle Visage and *NSYNC’s Lance Bass!
Leave your inhibitions at the door and get ready to find your new obsession as we celebrate Tim Burton’s beloved hero/weirdo with a phenomenal selection of your favourite 90s and 00s hits.
Scissorfans unite, because all WEIRDOS* are WELCOME here!
*For the gals, guys, gays and theys (and everyone in between).
LET’S HAVE A KIKI!
The pitfall with Scissorhandz is it doesn’t seem to have completely worked out what it wants to be just yet. Full of ideas, little nuggets are dropped but then never followed up so it becomes a mish-mash of ideas that aren’t fully utilised. Rather ironically, like its main character, the show feels unfinished. That isn’t to detract from the potential this show has as there really is no shortage of that, but to me it felt like it had been going through rewrites up until the last minute, whether that is true or not, and as such is not currently the best version of itself.
As with all jukebox musicals, some lines simply distract while others hit home, such as Kim singing “you hold me without touch” from Gravity by Sara Bareilles. Music director and orchestrator Gregory Nabours’ macabre choral arrangement of Aerosmith’s Dream On manages to strike a similar tone to Danny Elfman’s film score. But the jumble of songs, played by a tight band, never quite finds a unified sound and the relationships between characters don’t all convince. It’s a fun and heartfelt show yet retains the air of a work-in-progress, as unfinished as a child with scissors for hands.
2025 | West End |
West End |
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