Somewhere in downtown Philadelphia, a down-and-out fighter named Rocky Balboa struggles to stay on his feet. But when the chance of a lifetime comes along, he takes his best shot at becoming a champion... and his last shot at finding first love.
The iconic underdog story Rocky has inspired an innovative new stage production, brought to extraordinary life by a five-time Tony Award-winning creative team, including director Alex Timbers (Peter and the Starcatcher), songwriting team Lynn Ahrens and Stephen Flaherty (Ragtime), and book writers Thomas Meehan (The Producers) and Sylvester Stallone (Rocky, the Oscar-winning Best Picture).
Both an adrenaline-infused spectacle and a surprising tale of blossoming romance between two lonely outsiders, Rocky is a visceral and heart-stopping theatrical experience for everyone brave enough to follow their dream.
With persuasive stage realism, the men take turns pounding one another bloody. But there's little sense of the actual drama of a long, close boxing match, with its ebb and flow, strategy and tactics and the fighters' desperate will to win.Though losing a split decision, Rocky achieves his goal of going the distance. It's a triumph that, theatrically speaking, is pretty hollow.
Broadway's mostly doomed attempts at capturing the boundless American enthusiasm for professional sports, and the billions of associated dollars, have been handicapped by one crucial, constant failing -- an inability to really depict the playing of the actual game. 'Rocky,' the massive theatrical spectacle that opened Thursday night at the Winter Garden Theatre, certainly is a broadly realized story told with bold punches and too much nonperiod video, and it has a reflective, low-key score that reaches too often for songs of nervousness, or of past regret, when it should also convey the red blood that courses through a fighter's veins. But there will be no question in theatergoers' minds as they leave the theater that they have experienced the thrill of a fight.
2011 | New York |
Workshop New York |
2014 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Actor in a Musical | Andy Karl |
2014 | Drama Desk Awards | Outstanding Choreography | Steven Hoggett |
2014 | Drama Desk Awards | Outstanding Choreography | Kelly Devine |
2014 | Drama Desk Awards | Outstanding Director of a Musical | Alex Timbers |
2014 | Drama Desk Awards | Outstanding Lighting Design | Christopher Akerlind |
2014 | Drama Desk Awards | Outstanding Musical | Rocky |
2014 | Drama Desk Awards | Outstanding Set Design | Christopher Barreca |
2014 | Drama Desk Awards | Outstanding Sound Design in a Musical | Peter Hylenski |
2014 | Drama League Awards | Distinguished Performance Award | Margo Seibert |
2014 | Drama League Awards | Distinguished Performance Award | Andy Karl |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Rocky |
2014 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Andy Karl |
2014 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway of Off-Broadway) | Rocky |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Steven Hoggett |
2014 | Outer Critics Circle Awards | Outstanding Choreographer | Kelly Devine |
2014 | Outer Critics Circle Awards | Outstanding Director of a Musical | Alex Timbers |
2014 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Rocky |
2014 | Outer Critics Circle Awards | Outstanding Set Design (Play or Musical) | Christopher Barreca |
2014 | Tony Awards | Best Choreography | Steven Hoggett |
2014 | Tony Awards | Best Choreography | Kelly Devine |
2014 | Tony Awards | Best Lighting Design of a Musical | Christopher Akerlind |
2014 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Andy Karl |
2014 | Tony Awards | Best Scenic Design of a Musical | Christopher Barreca |
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