Richard II
Closing: May 10, 2025Richard II - 2025 West End History , Info & More
Bridge Theatre
One Tower Bridge London SE1 2SD
Richard II is charismatic, eloquent and loved by his friends. And a disastrous King – dishonest, capricious and politically incompetent.
Echoing down the centuries is the perennial problem: how to deal with a ruler who has a rock solid right to rule but is set on wrecking the country he leads.
Shakespeare’s subtle, ambiguous and beautiful play finds feudal England on the cusp of modernity, as a divinely sanctioned monarch is confronted, in the figure of Henry Bolingbroke, by the hard-headed pragmatism of real authority.
Richard II is played by Jonathan Bailey, whose past work includes Bridgerton, Fellow Travellers, Cassio in Nicholas Hytner’s National Theatre production of Othello and Edgar to Ian McKellen’s King Lear. He has also won an Olivier Award for his role of Jamie in Company and is Fiyero in the up and coming Wicked movie.
__Assisted performances__
Audio-Described Performance: Saturday 12th April, 14:30
Captioned Performance: Friday 2nd May, 19:30
Richard II - 2025 - West End Cast
FEATURED REVIEWS FOR Richard II
Jonathan Bailey is a vicious monarch
8 / 10
The most compelling quality of the staging – driven on by a Hitchcockian score by Grant Olding – is the way that it treats the unfolding events not as historical inevitability, but as if they are changing moment to moment. From the start when Bailey’s petulant, self-obsessed king first confronts Royce Pierreson’s bullish Bullingbrook (listed according to first quarto spelling) in a scene where a lot of angry noblemen are getting very cross and shouting at each other, while flinging down their passports, it’s never quite clear what is going to happen next.
Jonathan Bailey turns Shakespeare’s anti-hero into a coke-snorting pin-up
6 / 10
Grant Olding’s (sometimes intrusive) music blends a Crown-like solemnity with Succession’s tinkling intrigue. Textual tweaking assists clarity (though forfeiting Act III’s garden scene, sidelining the Queen): it’s openly averred to his face that Richard was behind Gloucester’s death at Mowbray’s hands. And Bailey gives us some notable tics: an insecure digging into his pockets, a need to dart about, lots of stiff, tilting head-movements, denoting a tenuous authority. Still, initially, he’s businesslike, faceless, even rather flat; his reckless resorting to coke-snorting looks de trop.
Richard II History
Other Productions of Richard II
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Off-Broadway |
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