Please note this production has been postponed indefinitely.
Celebrating the most influential and successful career in the American theater of the past 60 years, PRINCE OF BROADWAY will look at the circumstances and fortune, both good and bad, that led to Hal Prince creating some of the most enduring and beloved theater of all time, from 1954's The Pajama Game to The Phantom of the Opera, the longest-running show in Broadway history.
PRINCE OF BROADWAY will feature words and music from the shows that have earned Hal Prince a record 21 Tony Awards.
PRINCE OF BROADWAY will be directed by Mr. Prince with co-direction and choreography by Susan Stroman (The Producers, Contact, Crazy for You). David Thompson (The Scottsboro Boys, Chicago [adaptation]) is writing the book and Jason Robert Brown (The Last Five Years, Parade) is writing vocal and dance arrangements.
A quality of randomness is perhaps appropriate to a show that begins with the observation, 'Never underestimate luck.' That's Mr. Uranowitz speaking, pretending to be Mr. Prince. (All the cast members take turns pretending to be Mr. Prince, wearing black and white, oddly mod outfits, with glasses perched on their heads, a signature of their director; David Thompson's script also has them deliver unilluminating maxims on success and failure and the importance of hard work.) What follows has the feeling of a work assembled by dice roll, and I don't think Dadaism was anybody's intention. The individual numbers nearly all feature literal-minded scenery, such as a bank of candles and a wrought-iron gate for the 'Phantom' sequence, and they are performed with the high earnestness of audition pieces.
All this aside-and despite our thorough admiration for the career and life of the eighty-nine-year-old Prince of Broadway-the entertainment wears thin in the second act. Here we have a show which only exists by virtue of song selections from the Prince catalog, written by three dozen fellows. (While one woman-Betty Comden-is credited on the title page, there isn't a word of hers in evidence.) In such a venture, some material is likely to be included for reasons other than suitability. You could indeed do all Sondheim, all the time-but then that wouldn't be Prince of Broadway, would it?
2015 | International Tour |
World Premiere Production International Tour |
2017 | Broadway |
Original Broadway Production Broadway |
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