Ian McKellen - 'one of the world's greatest actors' (Times) - plays Falstaff in a new version of Shakespeare’s Henry IV, adapted by the award-winning writer and director Robert Icke.
A divided country, leadership crumbling, corruption in the air. Welcome to England.
Hal wasn't born to be king. Only now, it seems, he will be. His father longs for him to leave behind his friends in the taverns of Eastcheap, most notably the infamous John Falstaff. War is on the horizon. But will Hal ever come good?
Bringing together Shakespeare's two great history plays (Henry IV, parts 1 and 2), Player Kings will reign over London’s West End for twelve weeks only – playing at the Noël Coward Theatre from April 2024.
__Assisted Performances__
Captioned Performance: Saturday 1 June 2024 - 2.30pm
Audio described Performance: Saturday 15 June 2024 - 2.30pm
Is that enough of a reason to catch what could possibly be McKellen’s farewell to the West End? I hesitate to say yes because Icke’s marathon modern-day Shakespeare production — which runs to nearly four hours — yields such mixed results. One or two of the performances are fiery: as Hotspur, Samuel Edward-Cook (who doubles as Pistol) delivers martial swagger and raw machismo, while Clare Perkins is a raucous Mistress Quickly. Others fade into the background; warlords are presented with the air of weary bureaucrats. And Hildegard Bechtler’s unassuming set, dominated by expanses of plain brickwork, with the actors pulling back drab curtains to reveal new scenes, provides little to distract the eye.
Falstaff’s crew of revellers and rustic yokels seem like a cross between Rooster’s “friends, outcasts and leeches” from Jerusalem and a modern, Fagin-like gang of burglars and pickpockets, with Falstaff as their head, and Mistress Quickly a particular highlight in Clare Perkins. We meet Hal (Toheeb Jimoh) staggering among them in underpants precariously slipping off (have we have seen a mooning prince before?).
2024 | West End |
West End |
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