Good writers borrow, great writers steal. Jacob McNeal (Robert Downey Jr.) is a great writer, one of our greatest, a perpetual candidate for the Nobel Prize in Literature. But McNeal also has an estranged son, a new novel, old axes to grind and an unhealthy fascination with Artificial Intelligence. Pulitzer Prize-winner Ayad Akhtar’s new play is a startling and wickedly smart examination of the inescapable humanity – and increasing inhumanity – of the stories we tell.
“McNeal” falters because it doesn’t know what it wants to say. Moreover, the narrative felt confusing and meaningless, with a mix of genres and no actual theme or climax. Jacob is a writer, but viewers can never penetrate who he is beyond the surface. Instead, the play becomes an illustration of a self-absorbed man who treats the people around him like accessories for his own gain.
In Ayad Akhtar’s crisply staged yet dramatically muddy play, McNeal, Oscar winner Robert Downey Jr. summons every ounce of his innate swagger and smugness as a misogynistic author who’s just found himself the recipient of the Nobel Prize for Literature. In his Broadway debut, Downey steps up; he’s sure-footed and magnetic. The play itself, less so.
2024 | Broadway |
Lincoln Center Theater Broadway Premiere Producion Broadway |
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