Good writers borrow, great writers steal. Jacob McNeal (Robert Downey Jr.) is a great writer, one of our greatest, a perpetual candidate for the Nobel Prize in Literature. But McNeal also has an estranged son, a new novel, old axes to grind and an unhealthy fascination with Artificial Intelligence. Pulitzer Prize-winner Ayad Akhtar’s new play is a startling and wickedly smart examination of the inescapable humanity – and increasing inhumanity – of the stories we tell.
Bartlett Sher directs and he pushes each of these supporting players to overact to the extreme, while Downey Jr. delivers an oddly staccato performance. It’s as if he’s trying to distance himself from the character with his tick-filled delivery of the lines. However, as this 90-minute play progresses with its over-the-top performances from the supporting actors, Downey Jr. begins to emerge as the calm eye of the angry storm raging around his character. He wins our sympathy by default.
Akhtar (“Disgraced”) is a skilled scribe, best when he works in taut situations with characters facing imminent crises of the soul. There are glimpses of that here in the best bits. As counterintuitive as it may seem, and it’s certainly contrary to the instructions in the script, I think “McNeal” would work best in a smaller production where the humans and the technology are scaled to what feels like a fairer fight. As unfair as it may actually be in the future. This is still the live theater.
2024 | Broadway |
Lincoln Center Theater Broadway Premiere Producion Broadway |
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