Good writers borrow, great writers steal. Jacob McNeal (Robert Downey Jr.) is a great writer, one of our greatest, a perpetual candidate for the Nobel Prize in Literature. But McNeal also has an estranged son, a new novel, old axes to grind and an unhealthy fascination with Artificial Intelligence. Pulitzer Prize-winner Ayad Akhtar’s new play is a startling and wickedly smart examination of the inescapable humanity – and increasing inhumanity – of the stories we tell.
Should your sole aim be to watch the Marvel and “Oppenheimer” actor, who’s making his Broadway debut, give a capable performance in his signature Tony Stark staccato, mission accomplished. However, it is, well, a marvel how even the most blinding star power can dim when blacked out by a mind-numbing plot, mouthpiece supporting characters and a Universal Studios-scale set of giant screens that’s an expensive apology for the actual play.
Bartlett Sher directs and he pushes each of these supporting players to overact to the extreme, while Downey Jr. delivers an oddly staccato performance. It’s as if he’s trying to distance himself from the character with his tick-filled delivery of the lines. However, as this 90-minute play progresses with its over-the-top performances from the supporting actors, Downey Jr. begins to emerge as the calm eye of the angry storm raging around his character. He wins our sympathy by default.
2024 | Broadway |
Lincoln Center Theater Broadway Premiere Producion Broadway |
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