Powered by the chart-topping hits of the undisputed Princess of Pop, a group of friends goes on a quest to rewrite their stories and redefine “happily ever after.” Once Upon a One More Time weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core” (ABC News). This is more than a musical. This is Broadway’s best night out. “It will leave you breathless. Expect to keep on dancin’ long after it ends!” (Entertainment Weekly)
I suppose we could sit and enumerate the ways these princesses, sitting pretty in their “Lucky” lives but cry-cry-crying for emancipation, reflect the pop diva’s own battle for freedom. That’s there if you want it, and it’ll be there for every young girl, gay, and they in the audience looking for some empowerment. But Once Upon a One More Time pays its truest homage to Britney, not by wringing its hands over how to make pop serious, but through its bouncy understanding of fierce fun with laser-sharp choreography. Don’t overthink it, just intoxicate yourself.
The truly awful “Once Upon a One More Time,” which opened on Broadway Thursday night at the Marquis Theatre with direction and choreography by Keone and Mari Madrid and David Leveaux as creative consultant, is not that musical. Instead, it tries to cash in on the repetitive fashion of the moralistic musical moment and use Spears’ songs as a way to critique and deconstruct “problematic” fairy tales. The show, written by Jon Hartmere, has a plot very, very much akin to “Bad Cinderella,” another disaster that trashed a beloved fairy tale, and to the current multi-artist jukebox show “& Juliet,” which looks like “Sweeney Todd” in comparison to the other two attractions. “Once Upon a One More Time” takes an apparent cue from #FreeBritney except that we’re watching a show about the emancipation of Snow White, the Little Mermaid and Sleeping Beauty, as led by that dangerous radical Cinderella.
Digital Lottery:
Price: $47
Where: https://lottery.broadwaydirect.com/show/omt-ny/.
When: Lottery entries for each performance will be accepted starting 9:00 AM the day prior to the performance until 3:00 PM the day prior to the performance. Once the lottery closes, winners will be notified within minutes and will have 60 minutes to claim and pay for tickets.
Limit: Two per customer
Information: Seat locations and number of tickets awarded by the lottery are subject to availability, and some lottery seats may be partially obstructed.
2021 | Washington, DC (Regional) |
Washington, DC (Regional) |
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Costume Design of a Musical | Loren Elstein |
2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Justin Guarini |
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