Powered by the chart-topping hits of the undisputed Princess of Pop, a group of friends goes on a quest to rewrite their stories and redefine “happily ever after.” Once Upon a One More Time weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core” (ABC News). This is more than a musical. This is Broadway’s best night out. “It will leave you breathless. Expect to keep on dancin’ long after it ends!” (Entertainment Weekly)
If “Once Upon a One More Time,” opening at Broadway’s Marriott Marquis Theater tonight, is clearly not strikingly original, the story does have a few distinctive touches, and the production Broadway-level pleasures. The design is flashy, and the choreography is thrilling. The talented cast is game, featuring such reliably delightful Broadway veterans as Justin Guarini as a two-timing Prince Charming and Jennifer Simard as the scheming Stepmother, as well as the impressively weight-bearing Broadway debut of Briga Heelan as Cinderella. But the show is probably best appreciated by taking the advice offered in a different context in the musical by a character called the Narrator: “Don’t overthink it.”
The truly awful “Once Upon a One More Time,” which opened on Broadway Thursday night at the Marquis Theatre with direction and choreography by Keone and Mari Madrid and David Leveaux as creative consultant, is not that musical. Instead, it tries to cash in on the repetitive fashion of the moralistic musical moment and use Spears’ songs as a way to critique and deconstruct “problematic” fairy tales. The show, written by Jon Hartmere, has a plot very, very much akin to “Bad Cinderella,” another disaster that trashed a beloved fairy tale, and to the current multi-artist jukebox show “& Juliet,” which looks like “Sweeney Todd” in comparison to the other two attractions. “Once Upon a One More Time” takes an apparent cue from #FreeBritney except that we’re watching a show about the emancipation of Snow White, the Little Mermaid and Sleeping Beauty, as led by that dangerous radical Cinderella.
Digital Lottery:
Price: $47
Where: https://lottery.broadwaydirect.com/show/omt-ny/.
When: Lottery entries for each performance will be accepted starting 9:00 AM the day prior to the performance until 3:00 PM the day prior to the performance. Once the lottery closes, winners will be notified within minutes and will have 60 minutes to claim and pay for tickets.
Limit: Two per customer
Information: Seat locations and number of tickets awarded by the lottery are subject to availability, and some lottery seats may be partially obstructed.
| 2021 | Washington, DC (Regional) |
Washington, DC (Regional) |
| 2023 | Broadway |
Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2024 | Drama Desk Awards | Outstanding Costume Design of a Musical | Loren Elstein |
| 2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Justin Guarini |
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