In the beginning, two people got kicked out of a garden for eating fruit. Many years later, Adam—a transgender man expecting a child—meets with his twin sister, Eve, a pioneering scientist. She offers her brother prenatal services from her cutting-edge practice. But what exactly does that entail? And does Adam even want Eve’s help?
Written by bold new talent D.A. Mindell and helmed by the refreshingly innovative director Jess McLeod, On the Evolutionary Function of Shame is a compelling exploration of identity, family, and the courage it takes to live authentically, no matter the expectations of society—or those closest to you.
The show runs approximately 90 minutes without an intermission.
In all, Mindell is to be congratulated and thanked for a fervent screed on behalf of continuing trans presence, even though his energetic fervor often obscures his theatrical vision.
For all its flaws, On the Evolutionary Function of Shame is an important work wrestling with the politics of identity and difference at a time when these discussions are increasingly urgent. It challenges audiences to consider whether alleviating suffering means eliminating humanity's capacity to self-actualize and whether so-called "perfection" would erase the very complexities that define us. The play culminates in a "crisis of ethics," landing on a resonant stance defending individuality, pride, and the right to become oneself through struggle rather than erasure. While its writing and staging don't always do justice to its profound themes, its message remains undeniable: there is beauty in difference, and in the hard-fought challenges that shape us.
| 2025 | Off-Broadway |
Off-Broadway |
Videos