When writer Suzanne Alexander (Audra McDonald) returns to her alma mater as a guest speaker, in which she explores the violence in her works, a dark mystery unravels. Adrienne Kennedy's Ohio State Murders is an intriguing and unusual suspense play, as well as a social pertinent look at the destructiveness of racism in our society.
McDonald is an actress who radiates optimism and smiles often. And that positivity makes her agonized characters, such as Suzanne, absolutely fascinating to behold. From start to finish, there is an engrossing battle raging within the academic. Suzanne is desperate not to show her cards, at first, because that means the oppressive world will have won. Even after a terrible event befalls her, she refuses to leave Columbus. She’s full of stoic determination. McDonald smartly finds contrarian moments for her careful professorial facade to crack and each and every one is affecting. When her gleaming face suddenly turns hurt, cold, angry or lifeless, it has a big, wordless punch. The lion’s share of the show is hers, but Pinkham, who’s best known for his roles in musicals, has a striking scene. During another lecture late in the play, as Suzanne looks on with a polar opposite facial expression this time, his eyes are so red and strained it looks like he hasn’t slept in days. It’s simple but scary.
Kennedy, it seems, aims to forbid us the ease and release of a traditional scene, just as she has prescribed a conceptual set that in Beowulf Boritt’s rather stiff interpretation represents all locations and furniture as a tumble of library shelves full of law tomes. But McDonald is incapable of nonemotion; her performance builds to a shattering catharsis that may in some ways be unauthorized. Leon, too, works smartly against the grain of the play. In thoughtfully mimed vignettes, he shows us that the other characters, beautifully enacted if with little to say, are not just puppets of Suzanne’s memory but living creatures with their own struggles. They are lit (by Allen Lee Hughes) and costumed (by Dede Ayite) less forbiddingly than the script might lead you to expect, and accompanied by sound and music (by Justin Ellington and Dwight Andrews) that admits other emotions to the horror. Even the babies are touchingly represented: slips of pink fabric, delicate as scarves and as easily lost.
2007 | Off-Broadway |
Off-Broadway |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Lead Performance in a Play | Audra McDonald |
2023 | Drama Desk Awards | Outstanding Lighting Design of a Play | Allen Lee Hughes |
2023 | Drama Desk Awards | Outstanding Revival of a Play | Ohio State Murders |
2023 | Drama Desk Awards | Outstanding Scenic Design of a Play | Beowulf Boritt |
2023 | Drama Desk Awards | Outstanding Sound Design of a Play | Justin Ellington |
2023 | Drama League Awards | Outstanding Revival of a Play | Ohio State Murders |
2023 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Play | Audra McDonald |
2023 | Outer Critics Circle Awards | Outstanding Revival of a Play | Ohio State Murders |
2023 | Tony Awards | Best Actress in a Leading Role in a Play | Audra McDonald |
Videos