When writer Suzanne Alexander (Audra McDonald) returns to her alma mater as a guest speaker, in which she explores the violence in her works, a dark mystery unravels. Adrienne Kennedy's Ohio State Murders is an intriguing and unusual suspense play, as well as a social pertinent look at the destructiveness of racism in our society.
McDonald is an actress who radiates optimism and smiles often. And that positivity makes her agonized characters, such as Suzanne, absolutely fascinating to behold. From start to finish, there is an engrossing battle raging within the academic. Suzanne is desperate not to show her cards, at first, because that means the oppressive world will have won. Even after a terrible event befalls her, she refuses to leave Columbus. She’s full of stoic determination. McDonald smartly finds contrarian moments for her careful professorial facade to crack and each and every one is affecting. When her gleaming face suddenly turns hurt, cold, angry or lifeless, it has a big, wordless punch. The lion’s share of the show is hers, but Pinkham, who’s best known for his roles in musicals, has a striking scene. During another lecture late in the play, as Suzanne looks on with a polar opposite facial expression this time, his eyes are so red and strained it looks like he hasn’t slept in days. It’s simple but scary.
Kennedy’s script extends beyond institutional racism and delves into the depths of systemic savagery. It exposes the insidious nature of supremacy on Black and white people — neither race spared from madness. But these gargantuan concepts exhaust audiences because of Leon’s unheightened direction. To be fair, “Ohio” is more a play of reactions than action — a challenge to stage effectively. The other characters that populate Suzanne’s memory of the Midwest — roommate Iris Ann (Abigail Stephenson), eventual husband David Alexander (Mister Fitzgerald), landlord Mrs. Tyler (Lizan Mitchell) — only enter to cry, play violin or gaze into the wings. But Leon hardly has McDonald touch her silent scene mates, limiting the potential for onstage intimacy between characters. Instead, his rigid blocking of these extra characters is tiresome. In fact, McDonald’s greatest emotional connection is with two pink scarves meant to symbolize Suzanne’s twin girls.
2007 | Off-Broadway |
Off-Broadway |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Lead Performance in a Play | Audra McDonald |
2023 | Drama Desk Awards | Outstanding Lighting Design of a Play | Allen Lee Hughes |
2023 | Drama Desk Awards | Outstanding Revival of a Play | Ohio State Murders |
2023 | Drama Desk Awards | Outstanding Scenic Design of a Play | Beowulf Boritt |
2023 | Drama Desk Awards | Outstanding Sound Design of a Play | Justin Ellington |
2023 | Drama League Awards | Outstanding Revival of a Play | Ohio State Murders |
2023 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Play | Audra McDonald |
2023 | Outer Critics Circle Awards | Outstanding Revival of a Play | Ohio State Murders |
2023 | Tony Awards | Best Actress in a Leading Role in a Play | Audra McDonald |
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