Mondays at 7:30pm
Tuesdays at 7:30pm
Wednesdays at 7:30pm
Thursdays at 5pm & 8:30pm
Fridays at 7:30pm
Saturdays at 5pm & 8:30pm
Who knew Mary Todd Lincoln could be so funny? The first lady is the subject of Broadway's most hilarious new play- Oh, Mary!
Oh, Mary! is a dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this 80-minute one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln, through the lens of an idiot (playwright Cole Escola).
Escola originate dthe title role in the production, which is directed by Sam Pinkleton. The cast also inlcudes, Conrad Ricamora, James Scully, Bianca Leigh, and Tony Macht.
The play arrives on Broadway following a sold out, twice extended world premiere run at the Lucille Lortel Theatre. The limited engagement, originally scheduled to close in September 2024, is now extended through June 28, 2025.
EmmyⓇ nominee Betty Gilpin (“GLOW,” “American Primeval”) stars as Mary Todd Lincoln through March 16. Tituss Burgess (“Unbreakable Kimmy Schmidt,” “30 Rock”) stars as Mary Todd Lincoln beginning March 18 for three weeks only!
“Oh, Mary!” plays even better on Broadway than it did downtown at the Lucille Lortel Theater earlier this year. Experiencing this comedy with a few hundred more theatergoers takes the laughter from boisterous to atomic and the effect is absolutely radioactive. Plot-wise, it continues to be best to write as little as possible. There are outrageous twists and turns in the story that genuinely shock an audience into delayed convulsions of laughter. Let’s just say that Escola has somehow managed to turn the assassination of President Abraham Lincoln into an inspired, rollicking comedy.
The script, and the direction of Sam Pinkleton (erstwhile choreographer of Natasha, Pierre & the Great Comet of 1812), start things off at too high a level that eventually leads to some lulls. And Mary’s character arc, while necessarily schizophrenic, could be laid out more cleanly. But with this many laughs and surprises at every juncture, who can be bothered to carp? Does the show merit multiple viewings during its limited run? And is there more than enough room and incentive for a sequel? Oh, Mary, don’t ask.
| 2024 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
| 2024 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Cole Escola |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A PLAY | Sam Pinkleton |
| 2025 | Tony Awards | Best Costume Design of a Play | Holly Pierson |
| 2025 | Tony Awards | Best Direction of a Play | Sam Pinkleton |
| 2025 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Conrad Ricamora |
| 2025 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Cole Escola |
| 2023 | Outer Critics Circle Awards | Outstanding Featured Performer in an Off-Broadway Play | Conrad Ricamora |
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