Two-time Emmy Award winner and Golden Globe Award winner Bruce Willis will makes his Broadway debut opposite three-time Emmy Award winner and two-time Tony Award nominee Laurie Metcalf in MISERY.
MISERY, written by two-time Academy Award-winner William Goldman (The Princess Bride, Butch Cassidy and the Sundance Kid) who wrote the screenplay for the Academy Award-winning film and based on the acclaimed novel by Stephen King, is directed by Will Frears (Omnium Gatherum).
Successful romance novelist Paul Sheldon (Bruce Willis) is rescued from a car crash by his "Number One Fan," Annie Wilkes (Laurie Metcalf), and wakes up captive in her secluded home. While Paul is convalescing, Annie reads the manuscript to his newest novel and becomes enraged when she discovers the author has killed off her favorite character, Misery Chastain. Annie forces Paul to write a new "Misery" novel, and he quickly realizes Annie has no intention of letting him go anywhere. The irate Annie has Paul writing as if his life depends on it, and if he does not make her deadline, it will.
Thanks largely to the wacko humor infused throughout Metcalf's diabolically folksy performance, and to the ingeniousness of David Korins' revolving set - which invites us to follow the action from room to room exactly like a camera - this Misery is an enjoyable enough rerun that recaptures some of its predecessor's B-movie pleasures. But there's a strong whiff of cynicism about the enterprise. The suspicion takes root virtually from the start that the only reason it exists is because Warner Bros. and screenwriter William Goldman - who has adapted the work as a stage play with minimal invention - figured there were still a few more bucks to be milked out of a popular commercial property.
As lovable as wise-cracking Bruce Willis was in 'Moonlighting' and the 'Die Hard' films, he is deadly dull in the stage version of Stephen King's novel. This big Hollywood star musters just enough emotion to stretch from A to B in his Broadway debut... 'Misery' reminds how hard it is to make a thriller click on stage, whether Annie is terrorizing Paul or contending with a nosey cop (Leon Addison Brown). When Annie gets her gun, it's a riot. Anyone who's seen the movie knows what's coming, but Metcalf largely hits her mark with her sledgehammer and her block of wood.
2015 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Outer Critics Circle Awards | Outstanding Scenic Design (Play or Musical) | David Korins |
2016 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Laurie Metcalf |
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