From Tony Award® nominee Bess Wohl (Grand Horizons) comes Liberation, directed by Roundabout’s inaugural directing fellow and Associate Artist, Whitney White (If I Forget, Marvin’s Room).
It's 1970: somewhere in Ohio, six women meet on a basement basketball court, determined to shake up their lives and change the world. Fifty years later, one of their daughters tries to understand where things fell apart. A provocative, wildly theatrical world premiere that poses vital questions about friendship, legacy, and the true meaning of liberation.
Her new play—the ambitious, slightly overstuffed Liberation, which just opened off-Broadway at the Roundabout’s Laura Pels Theatre—continues her pattern of unpredictability: It’s a memory play of sorts, set largely in the 1970s in a basement basketball court of an Ohio rec center. (David Zinn’s scenic design is period perfection, down to the janky metal folding chairs; you can almost hear the buzzers and smell the stale sweat socks.)
If you were a woman in 1970, by almost every standard, you were regarded as a second class citizen in this country. You could not get a credit card or mortgage without a responsible man to co-sign for you. Abortion was illegal across the land; no matter your education or experience, you had fewer opportunities and were likely to earn less than your male counterparts; and despite all your protests and your dogged determination to gain equal rights, true equality eluded you. That’s the backdrop for Bess Wohl’s beautifully evocative play entitled Liberation. And given recent setbacks for women in the political landscape, this timely work resonates in a deeply personal way.
2025 | Off-Broadway |
Roundabout Theatre Company Off-Broadway Premiere Production Off-Broadway |
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