In 1782, Choderlos de Laclos' novel of sex, intrigue and betrayal in pre-revolutionary France scandalized the world. Two hundred years later, in 1985, Christopher Hampton's stage adaptation became an award-winning sensation in London's West End and on Broadway, followed by the Academy Award-winning film Dangerous Liaisons.
Former lovers, La Marquise de Merteuil and Le Vicomte de Valmont compete in games of seduction and revenge. These merciless aristocrats toy with the hearts and reputations of innocents. Merteuil incites Valmont to corrupt the convent-educated Cecile de Volanges before her wedding night but Valmont has other designs. His target is the peerlessly virtuous and happily married Madame de Tourvel.
Josie Rourke's acclaimed production transfers to Broadway after a sold-out engagement at London's Donmar Warehouse which ended earlier this year and starred Janet McTeer. The production was nominated for the Olivier Award for Best Revival.
Tony Award winners Janet McTeer and Liev Schreiber will return to Broadway this Fall in the Donmar Warehouse production of Les Liaisons Dangereuses by Christopher Hampton, directed by the Donmar's Artistic Director Josie Rourke.
Classically trained actors are naturally drawn to roles that show off their verbal fluency, but few contemporary plays give them the chance. No wonder Christopher Hampton's Les Liaisons Dangereuses, with its baroque dialogue bordering on camp, has proved so popular with upmarket stars. Lindsay Duncan and Alan Rickman headed the 1985 premiere; Glenn Close and John Malkovich the 1988 film; now Janet McTeer and Liev Schreiber lead the gorgeous but tiresome revival that opens tonight on Broadway. The script is full of lines like 'I wonder if I'm beginning to guess what it is you're intending to propose,' which despite the heavy ironing required to make them lie flat reward the effort with only a vestigial feeling that something humorous has happened. Indeed, Les Liaisons is a trap: In portraying the moral decadence of the Ancien Régime, it aligns itself with that decadence. For Hampton and his collaborators, it's a case of let them eat cake, and have it too.
'I always knew I was born to dominate your sex and avenge my own,' the deliciously amoral Marquise de Merteuil tells her male interlocutor in Les Liaisons Dangereuses. As personified in a blazing performance by Janet McTeer - her voice like velvet and her physical bearing a cloak of studied artifice encasing a flesh and blood woman of ferocious cunning - there's never cause to doubt her claim. Her accomplice-turned-opponent in their games of cruel conquest is a different matter. But even if Liev Schreiber is ill-suited for the part of the 'conspicuously charming' Vicomte de Valmont, Josie Rourke's evocative staging provides a compelling portrait of a dissolute aristocracy on the brink of devouring itself.
| 1987 | Broadway |
Original Broadway Production Broadway |
| 2008 | Broadway |
Roundabout Revival Broadway |
| 2015 | West End |
Donmar Warehouse Production West End |
| 2016 | Broadway |
Donmar Warehouse Broadway Revival Production Broadway |
| 2026 | West End |
West End |
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